IndexStyle

一部从作品本身写起的设计风格辞典。

它是纯粹的 HTML。任何浏览器、任何设备都能打开,不需要应用也不需要账号,机器读到的也是同一个页面。

词条598

辞典

可以按风格名搜索,也可以描述要做的东西。 名称匹配优先,再按用途、感受与媒介补充相近选择。

示例包豪斯高级感的招聘网站可信的金融应用

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529

Gustavian Style

グスタヴィアン様式 / 1770s–1790s / 风格 / 家具与室内

在古斯塔夫三世治下形成的瑞典新古典。范本是路易十六样式的形式化古典主义,国王曾造访凡尔赛,并把法国工匠请到宫廷。只是昂贵的材料被换成了本国产的玻璃。

克制的新古典轮廓,直接照搬路易十六样式的形。 / 水晶的坠饰被换成小颗的透明玻璃珠。 / 钴蓝色的玻璃只少量地掺进透明玻璃之中。 / 镀金的金属件与链条作为串起玻璃的骨架露在外面。

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530

Droog

ドローホ / 1990s– / 风格 / 家具与室内

指1990年代荷兰一批设计师聚在一起时自称的造型方式,droog 在荷兰语里是干的意思。废弃的抽屉、绳结这类常见之物直接充当结构,不用表面处理把它们藏起来。它把朴素和机智变成共同的样式,因而与同时期打磨光洁的工业设计分道扬镳。

来源不同的现成部件被捆成一件家具,颜色和磨损都不做统一 / 看似临时固定的带子和绳索,就这样留作最终的结构 / 材料的加工过程留在成品表面,绳结和接缝都不打磨掉 / 同一个设计每次用到的部件都不同,因此没有两件完全一样

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531

Machine Art — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Machine Art

マシン・アート / 1934 / 风格 / 近代设计运动

1934年纽约现代艺术博物馆举办的一场展览的名称。弹簧、锅具、仪表这类批量生产的实用品被放上基座,按雕塑的规格来展示。展厅是把十九世纪褐砂石建筑的线脚遮盖起来重新搭建的,让无装饰之物以无装饰的样子呈现,正是这次展览的条件。

基座之上,实用的量产部件一件一件拉开间距摆放 / 墙面和天花的线脚被遮住,背景的平面上没有任何纹样 / 展品是弹簧、锅具、仪表这类原本并非为观看而造的东西 / 作者一栏里排着的不是人名,而是制造公司的名字

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532

Xerox Star Interface

ゼロックス・スター・インターフェース / 1981–1990s / 风格 / 平台界面语言

1981年 Xerox 8010 的画面所确立的设计语言。文件夹、收发文篮、文件抽屉这类办公用品被画成带文字标签的图像排在屏幕上,当时的宣传册称之为电子桌面。画面上的东西可以用鼠标随意移动、复制和丢弃。

画面上的图像一定配有文字标签,不让图形单独承担意义 / 图像画的是办公桌上的东西,文件夹、收发文篮、文件抽屉 / 用鼠标抓取物件,移动、复制和删除属于同一套动作 / 电子表格表现为行与列的网格,操作网格的命令统一收进菜单

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533

PLATO Terminal Screen

PLATO端末の画面 / 1972–1980s / 风格 / 平台界面语言

伊利诺伊大学在1960年代初开始的教育网络 PLATO 的画面。在等离子平面板和可触摸的屏幕上,TUTOR 的命令按坐标把文字和图形直接放上去,因此没有文档那样的行进方式。公告和交谈的画面也是在这里定型的。

黑色的面上,只用一种发光的橙色显示文字和线条 / 文字不按行走,而是按坐标摆放,也会插进图形中间 / 文字和线描叠在同一个面上,没有边框把区域分开 / 有些题目要用手指直接触碰屏幕来作答

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534

Breeze

ブリーズ / 2014– / 风格 / 平台界面语言

KDE 随 Plasma 5 一起引入的默认视觉样式。发布说明自称是高对比度的扁平主题,把图像整理得简单而接近单色。它不用装饰,而是依靠文字排版来区分元素,并且从一开始就把明暗两套配成一对。

没有明暗塑造的平面,元素的边界只靠色彩差异和对比来交代 / 图标和图像被整理得接近单色,用色数量压得很紧 / 标题与正文的对比代替了装饰,文字排版成为画面的骨架 / 同一套图像有明版和暗版,成对存在

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535

Acme

アクメ・インターフェース / 1994– / 风格 / 平台界面语言

Rob Pike 在1994年的论文中给出的画面,把窗口系统、shell 和编辑器合为一体。它没有菜单也没有图标,屏幕上任何一段字符串都可以用中键执行、用右键打开。窗口在纵向的列中堆叠,每个窗口只有一行标签行和正文两层。

窗口在纵向的列中堆叠,每个窗口只由一行标签行和正文两层组成 / 滚动条在正文的左端,右端什么都不放 / 用中键划过一段字符串时,只在按住期间给这段字符串加下划线 / 正文是淡黄色,标签行是淡蓝色,没有一个可按的按钮或图标

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536

Oberon System Interface

オベロン・システムの画面 / 1988– / 版面 / 平台界面语言

维尔特和古特克内希特于1986年到89年间在 ETH 做出的系统的画面。窗口互不重叠,先把屏幕切成纵向的条带,再在条带内自上而下铺满。屏幕上任何形如 M.P 的文字都能用中键执行,因此系统没有菜单这种专用部件。

窗口不重叠。屏幕先被切成纵向的条带,再在条带内自上而下铺满 / 右侧有一条窄带,上面放日志,下面放列有命令的文本,左侧的宽带用于作业 / 每个视图器顶端有一行高的细框,里面以文字排着文档名和 System.Close 之类的命令 / 每像素一位的黑白。边框只有细直线,没有阴影、圆角和灰阶

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537

Ribbon

リボン / 2007– / 版面 / 微软 UI

把命令以选项卡的形式排在窗口顶端的命令带,同时取代菜单栏和工具栏。它随 Office 2007 引入,微软在官方指南中定义了选项卡、组、上下文选项卡和库这套术语。命令一律带文字标签,尺寸随使用频度而变。

窗口最上方常驻一条以选项卡切换的带,高度固定为48像素 / 带内被切成带名称的组,组名排在分区的下沿 / 命令的图形分32×32和16×16两级,只有高频命令用大图并排在前面 / 随所选对象的类型出现带颜色的上下文选项卡,这组选项卡的名称以 Tools 结尾

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538

Solarized

ソラライズド / 2011– / 风格 / 界面风格

Ethan Schoonover 连数值一并公开的、供终端和编辑器使用的十六色。它由八个底色和八个强调色组成,底色在 CIELAB 上的明度差取成对称,因此明底和暗底互换后阅读的调子也不变。它压低明暗差,用色相的差别来区分词。

底色既不是纯黑也不是纯白,一个偏青绿,一个偏米黄 / 正文与底色的明度差很小,以比白底黑字更柔的力度让人阅读 / 八个强调色的明度几乎一致,只靠色相的不同来区分 / 在明底和暗底之间切换,同一个强调色仍以同样的角色出现

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539

Skeleton Screen — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Skeleton Screen

スケルトン・スクリーン / 2013– / 技法 / 界面风格

加载时不出旋转图标,而是先把内容进入之前的空画面显示出来,再把信息一点点灌进去的做法。Luke Wroblewski 在2013年以自制应用 Polar 的反思为由,用这个名字介绍了它。它展示的不是让人等待这件事,而是事情正在推进。

加载过程中不出现旋转图标和进度条 / 正文和图片要落入的位置上,先放着同样尺寸的素面色块 / 内容到达之前版面就已确定,到达后元素也不移动 / 信息不是一次全出,而是按区域依次填满

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540

Stamen Map Styles (Toner, Terrain, Watercolor)

スタメンの地図様式 / 2010s– / 风格 / 信息设计

Stamen Design 公开的三种有名字的地图样式,Toner 是黑白二值,Terrain 由地形阴影和植被的颜色构成,Watercolor 由在纸纹上晕开的色面构成。它让底图的外观可以像画风一样挑选,而不是靠配色设置去调,这一点与此前的网络地图不同。

Toner 只用黑与白绘制,没有灰色的中间调 / Watercolor 里海陆的交界像笔锋的边缘一样晕开,放大后纸纹仍在 / Watercolor 的水面在蓝里掺着绿松石色和紫色,道路则在橙与红褐之间摆动 / 注记、线条和底色分属不同的图层,可以去掉用不上的图层再分发

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541

Single-Serving Site — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Single-Serving Site

シングルサービング・サイト / 2008– / 版面 / 网页上的读物

取一个专用域名,只用一页、只做一件事的网站。2008年2月 Jason Kottke 给了它名字,读者寄来约四百个实例,于是它作为一种类型固定下来。没有导航也没有可逛的去处,问题的答案铺满整个画面,到此为止。

域名本身就是问题,页面的内容只有那一个词的答案 / 没有标题也没有段落,一个词或一张图占据画面中央 / 没有菜单、没有搜索、也没有页脚链接,不给人准备下一步可去的地方 / 标题多为 Is It Christmas? 或 Is Twitter Down? 这类用是或否就能回答的句子

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542

ADV / NVL Text Layout

ADV/NVL(ノベルゲームの文字組み) / 1990s– / 版面 / 游戏与纸牌

视觉小说的文字排版有两种带名字的型,ADV 把台词和叙述一行一行放进画面下方的窗口。NVL 则在占满整个画面的窗口里堆叠多行,每到分隔处就换页。制作环境 Ren'Py 的官方文档正是把两者定义为一对。

ADV 在画面下方常驻一个横长的窗口,一次只出现一行文字 / NVL 的文字铺满整个画面,读过的行向上堆叠 / NVL 换页时堆着的行一次全部消失,下一页从空白开始 / 选项的出现方式随型而变,NVL 不用全屏菜单,而是把选项排在当前正读的文字之后

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543

GitHub Primer

GitHub Primer / 2017– / 风格 / 平台界面语言

GitHub's design system for turning dense development workflows into shared rules for color, type, icons, spacing and components. It favors flow over decoration, keeping many states and actions in a small area without giving up accessibility or responsive behavior.

Neutral surfaces with blue links and restrained status colors / Octicons paired with short action labels / Thin borders separating lists, tabs and sidebars / Consistent steps of type and spacing even at high density

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544

Adobe Spectrum

Adobe Spectrum / 2013– / 风格 / 平台界面语言

Adobe's cross-application design system. Under the principles Rational, Human and Focused, it changes density between desktop and mobile while keeping tool-heavy interfaces from pulling attention away from the work itself.

Neutral surfaces with vivid color reserved for selection / Icons, type and borders scaling together / Toolbars and property panels joined by fine divisions / The creative work stays stronger than the interface

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545

Atlassian Design System

Atlassian Design System / 2012– / 风格 / 平台界面语言

A system that translates the complexity of Jira and Confluence into shared tokens, content rules, spacing, grids and components. Consistency builds trust while keeping large sets of issues, documents and states navigable.

White and pale gray layers with blue primary actions / Rounded cards and lozenge-shaped status labels / Clear divisions among sidebar, table and detail pane / Color, spacing, radius and elevation controlled by tokens

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546

Ant Design

Ant Design / 2015– / 风格 / 平台界面语言

A design system that keeps enterprise web applications at low entropy through reusable components and page patterns. Its values — Natural, Certain, Meaningful and Growing — systematize tables, forms, hierarchy and state without reducing information density.

Dense tables set in small type and fine rules / Blue primary actions with explicit semantic colors / Consistent forms, pagination, trees and tables / Readability achieved through alignment and repetition, not generous space

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547

Shopify Polaris

Shopify Polaris / 2017– / 风格 / 平台界面语言

Shopify's UI framework for giving products, orders, payments and customers one commerce language. Cards and sections separate decisions, while short status and action language helps a merchant keep the store moving.

White cards stacked on a pale ground / Green used as success or forward motion / Title, status and primary action gathered at the top / Compact badges for product, order and payment states

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548

Black Dandyism

ブラック・ダンディズム / 18th century– / 风格 / 时装史

A lineage of using tailoring and bearing as self-fashioning, editing back against a racialized gaze. It is not one level of ornament: it knows the codes, shifts the details, and carries dignity, resistance and identity at once.

Precise tailoring fitted to the body / A complete line from hat and collar to tie and shoe / Color, pattern or gesture shifting classic menswear codes / Confident, frontal self-presentation

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549

Power Dressing

パワー・ドレッシング / 1970s–1980s / 风格 / 时装史

Dress that makes workplace authority visible. In the 1980s the sharply tailored, big-shouldered suit became a sign of upward mobility for women and men, enlarging and hardening the silhouette while also carrying the pressure to conform.

Padded jackets widening the shoulders / A fitted waist and inverted-triangle silhouette / Dark worsted cloth and pinstripes / Coordinated suit, shirt, tie or pumps

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550

Fashion Deconstruction

ファッションの脱構築 / 1980s– / 风格 / 时装史

Exposes seam allowance, lining, raw edge, pattern and asymmetric joining instead of hiding clothing as a seamless whole. It does not merely destroy; it dismantles conventions and builds a different body from their parts.

Seam allowances and lining turned outward / Raw edges and deliberate fraying / Asymmetric joins and displaced balance / Patterns and interfacing treated as finished surfaces

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551

Camp Fashion

キャンプ・ファッション / 19th century– / 风格 / 时装史

A sensibility that loves artifice, exaggeration, theatricality, parody and excess, enjoying the line between good and bad taste. Its force is not loudness alone but seriousness enlarged until it turns into humor and critique.

Silhouettes exaggerated beyond bodily scale / Artificial materials and excessive ornament / Quotation from historic dress and popular culture / Humor, parody and theatrical posing

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552

Mori Girl / Mori Kei

森ガール/森系 / 2007– / 风格 / Japanese Street Fashion

A Japanese street fashion built by urban wearers imagining a girl who might live in a forest. Loose layers, ecru and earth colors, natural textures and old accessories extend into a story about a slower life.

Layered loose dresses and skirts / Low-chroma ecru, brown and moss / Lace, knit, linen and wool textures / Leather shoes, baskets and old accessories

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553

Sportswear as Fashion

スポーツウェア・ファッション / late 19th century– / 风格 / 时装史

The exchange by which mobility, protection and new materials from sport enter everyday dress and fashionable shapes return to athletic clothing. From divided skirts to stretch, nylon and neoprene, functional movement helped form modern casual clothing.

Ease and stretch that preserve movement / Adjustments such as zips, ribs and drawcords / Team color, numbers and stripes used for identity / Functional fabrics including nylon, spandex and neoprene

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557

U.S. Web Design System

米国Webデザインシステム / 2015– / 风格 / 公共设计

A shared system for accessible, mobile-friendly and trustworthy U.S. federal web services, built from tested public-service patterns.

White, navy and restrained federal red / Large plain headings and readable body text / Official-site banner / Clear forms, alerts and step indicators

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558

NHS Design System

NHSデザインシステム / 2016– / 风格 / 公共设计

The NHS system makes urgent health information and services calm, direct and consistent through plain language, strong focus states and tested clinical patterns.

NHS blue and generous white space / Large headings and short paragraphs / Callouts for warning and care advice / Visible focus and simple forms

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559

BBC Global Experience Language

BBC GEL / 2010– / 风格 / 平台界面语言

BBC's global experience language unifies news, video, audio and children's products through readable hierarchy, accessible media controls and reusable editorial components.

Black header over white content / Short bold headlines / News cards with consistent image ratios / Highly visible focus, captions and playback controls

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562

Material You

Material You / 2021– / 风格 / 谷歌 UI

Material You makes adaptability itself consistent: dynamic color, generous shapes and personalized motion vary by person while semantic roles stay stable.

Harmonized colors derived from wallpaper / Large rounded cards and controls / Selection changes both color and shape / Broad spacing and large display type

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563

The New Aesthetic

ニュー・エステティック / 2011– / 世界观 / Digital Culture

James Bridle's New Aesthetic names the way machine vision and network imagery leak into physical culture through pixels, satellite views, detection boxes and sensor errors.

Pixels enlarged onto physical objects / Recognition rectangles and coordinates / Satellite, map and surveillance viewpoints / Compression, omission and machine misclassification

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564

Post-Internet Art

ポスト・インターネット・アート / 2000s– / 世界观 / Digital Culture

Post-Internet art treats the internet as an ordinary condition of life and production, turning the circulation between online images, objects, exhibitions and documentation into the work.

Network images converted into prints or objects / Screenshots, product images and 3D renders mixed / Installation views returning to social feeds / High-resolution and compressed imagery on the same surface

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565

Retrofuturism

レトロフューチャリズム / 1970s– / 世界观 / Digital Culture

Retrofuturism revisits futures imagined in the past through their vehicles, materials, advertising and cosmic visions, preserving both their hope and their blind spots.

Streamlined vehicles and monumental cities / Analog gauges, chrome and vacuum tubes / Space-age advertising type and diagrams / Faded print beside luminous future imagery

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566

PatternFly — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

PatternFly

PatternFly / 2012– / 风格 / 平台界面语言

Red Hat's open-source screen language for enterprise products keeps complex infrastructure manageable through dense navigation, data views and tightly controlled status color.

Dark masthead and left navigation / Dense tables and forms on white or pale-gray work surfaces / Blue for primary action and red, orange or green for status / List, detail and action shown in coordinated panes

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567

elementary OS — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

elementary OS

elementary OS / 2011– / 风格 / 平台界面语言

elementary OS builds a consistently beautiful, immediately understandable desktop from concise language, single-purpose windows, distinctive app icons and restrained depth.

A few primary actions in the top toolbar / Short copy built from concrete verbs / Multicolor app icons with distinctive silhouettes and a dark one-pixel outline / White work surfaces, pale chrome and blue suggested actions

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568

GitLab Pajamas — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

GitLab Pajamas

GitLab Pajamas / 2018– / 风格 / 平台界面语言

GitLab's screen language connects code, issues, review, CI/CD and security inside one DevSecOps product through GitLab Sans and Mono, persistent navigation, dense lists and a purple-inflected neutral palette.

GitLab Sans paired with GitLab Mono for code / Layered structure built from left navigation and application chrome / Dense issue, merge-request and pipeline lists / White or charcoal surfaces with purple as brand focus

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569

Firefox Photon — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Firefox Photon

Firefox Photon / 2017–2021 / legacy / 风格 / 平台界面语言

Introduced with Firefox Quantum, Photon unified desktop and mobile around a fast, recognisable Firefox language of compact browser chrome, vivid color, light icons and motion that stays behind the web content.

Compact browser chrome and squared-off tabs / Vivid blue, purple and orange on white or deep navy / Thin simplified line icons / Brief transitions and unmistakable selection or focus

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570

Ubuntu Yaru — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Ubuntu Yaru

Ubuntu Yaru / 2018– / 风格 / 平台界面语言

Ubuntu's community-built default theme overlays Adwaita-based GTK and GNOME Shell with Ubuntu orange, dark header bars and Suru-derived icons, distributing windows, shell, icons, cursors and sound as one suite.

Light window body contrasted with a dark header bar / Ubuntu orange for selection and focus / Suru-derived icons based on circles, squares and vertical or horizontal oblongs / One-pixel icon edge, restrained gradient and lower shadow

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ChatGPTClaudeGoogle AI

571

Canonical Vanilla — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Canonical Vanilla

Canonical Vanilla / 2013– / 风格 / 平台界面语言

Canonical's CSS-based screen language unifies Ubuntu, MAAS, Juju and related sites and applications through Ubuntu type, split grids, ruled sections and generous space, optimized for scanning long technical content.

Thin large headings paired with bold smaller headings in Ubuntu type / Asymmetric 25/75 and 50/50 splits / Fine rules above sections and generous vertical space / White surfaces, dark text and orange or aubergine focus

design.md图像提示词

ChatGPTClaudeGoogle AI

572

Firefox Proton — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Firefox Proton

Firefox Proton / 2021–2026 / 风格 / 平台界面语言

The Firefox 89 redesign made the browser brighter and calmer by streamlining toolbars and menus and adopting floating rounded tabs, lighter iconography, more spacing and a purple-inflected palette across desktop, iOS and Android.

A rounded active tab floating above the toolbar / Text-led menus with fewer redundant icons / Generous spacing and light linear iconography / Neutral browser chrome with purple and blue selection states

design.md图像提示词

ChatGPTClaudeGoogle AI

573

Pixel Sorting — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Pixel Sorting

ピクセルソーティング / 2010– / 技法 / 数字图像技法

Pixel Sorting selects image pixels by a brightness or hue threshold and reorders them within rows or columns, drawing long color streaks out of a still-recognisable source image. Kim Asendorf's released code enabled widespread reimplementation.

Long horizontal or vertical pixel streams leaving a figure or landscape / Only part of an outline flowing into bands / Unselected areas preserving the source image / Local color bands smoothly ordered by value or hue

design.md图像提示词

ChatGPTClaudeGoogle AI

574

DeepDream — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

DeepDream

ディープドリーム / 2015– / 技法 / 数字艺术

Google's visualization technique repeatedly amplifies features learned by an image-recognition network, making eyes, animals and towers emerge excessively from clouds, rocks and leaves until misrecognition becomes a recursive hallucinatory surface.

Eyes and animal faces repeated across the frame / Swirling texture multiplying along source contours / Multi-scale repetition that reveals new figures when viewed closer / Saturated blue, yellow and violet rolling continuously

design.md图像提示词

ChatGPTClaudeGoogle AI

575

New Romantic — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

New Romantic

ニュー・ロマンティック / 1979–1983 / 风格 / 亚文化风格

Born around London's Blitz club, New Romantic dress turned punk's black destruction into theatrical self-invention by mixing pirates, Regency dress, cabaret and futuristic materials. A look was built as a character for the night, not bought complete.

Frilled shirts, sashes and quotations of military or pirate dress / Whitened face, strong blush and asymmetric makeup / Large head silhouette built from hats, feathers and jewelry / Historic costume mixed with synthetics and futuristic shine

design.md图像提示词

ChatGPTClaudeGoogle AI

576

Acid House Fashion — AI 生成的诠释图像
AI 诠释图像(并非参考作品)

Acid House Fashion

アシッドハウス・ファッション / 1988–1991 / 风格 / 亚文化风格

Second Summer of Love warehouse raves put yellow smileys, fluorescent color and reflective material onto oversized tees and functional clothing made for hours of dancing, compressing community recognition into one simple face.

Black smiley on yellow / Oversized T-shirts, loose trousers and bucket hats / Fluorescent yellow, orange and green against black / Repeated reflective material, sports fabric and pin badges

design.md图像提示词

ChatGPTClaudeGoogle AI

编辑方针

IndexStyle并不收进所有设计相关术语。独立条目必须描述一种可辨认、可复现,并能与近邻区分的视觉语言。 收录标准

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