A dictionary of design styles, written from the works themselves.
It is plain HTML. It opens on any browser and any device, with no app and no account, and machines read the same page.
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Search by style name or describe what you are making. Name matches come first; purpose, desired effect and medium add relevant alternatives.
TryBauhausa premium recruiting websitea trustworthy finance app
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フルティガー・エアロ / mid-2000s–early 2010s / Style / Digital Retro
Shows glossy digital technology as an approachable future by tying it to blue sky, water, grass and bubbles. The gloss is the same as Aqua's, but Aqua is the texture of a control and this is the world of the wallpaper and the advert.
Blue sky and grass / Transparent bubbles / Glossy UI / Humanist type
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コーポレート・メンフィス / mid-2010s– / Style / Illustration Styles
Explains digital services as safe and friendly through simplified figures, geometry and soft color.
Exaggerated body ratios / Flat color / Geometric plants / White grounds
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ドリームコア / late-2010s–2020s / Aesthetic / Internet Aesthetics
Edits nostalgic spaces by the logic of dreams, producing images like memories in which comfort and wrongness sit together.
Hazy suburbs / Clouds and sky / Cryptic captions / Eyes and doors
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ウィアードコア / 2010s–2020s / Aesthetic / Internet Aesthetics
Layers low-res images, unrelated text and warped symbols until reality's connections feel slightly broken.
Low resolution / Mismatched text / Eyes and faces / Compression noise
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リミナル・スペース / late-2010s– / Aesthetic / Internet Aesthetics
Photographs transitional spaces empty when people ought to be in them, drawing out déjà vu, loneliness and the sense that time has stopped. The subjects carry their own names in circulation, from the empty indoor pool to the night corridor to the mall after closing.
Empty corridors / Fluorescent light / Dated interiors / Public space after midnight
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シーパンク / 2011–2013 / Style / Internet Aesthetics
Mixes ocean CG, turquoise, dolphins and 90s 3D with the music and fashion of the social-media age.
Turquoise / Dolphin CG / Waves and shells / Early 3D
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ネット・アート / 1990s– / Style / Digital Art
Treats the browser, the link, the transmission error and the network itself as both the material and the site of the work.
Link structures / Browser UI / Errors / Participation and transmission
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ピクセルアート / 1970s– / Technique / Digital Image Techniques
Treats the pixel as an honest unit, building clear form from limited resolution and palette.
Visible pixels / Limited palettes / Tiles / Sprites
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ローポリ / 1990s– / revival / Technique / Digital Art
Leaves the few polygons and hard facet changes visible, using simplicity of form as the expression.
Triangular facets / Angular contours / Flat shading / Few vertices
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ポーランド・ポスター派 / 1950s–1980s / Style / Regional Graphics
Rather than explain a film or a play, it turns the assignment into a psychological image built from painting, metaphor and hand-drawn letters.
Symbolic metaphor / Hand-drawn lettering / Rough paint surface / One strong image
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チェコ映画ポスター / 1950s–1980s / Style / Regional Graphics
Turns film promotion into independent interpretation through collage, fantastical rendering and experimental letters.
Surreal collage / Drawn letters / Symbols / Transformed photography
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ニュー・タイポグラフィ / 1920s–1930s / Layout / Experimental Typography
Turned printed matter into rational information structure through asymmetry, sans-serifs, photography and functional hierarchy.
Asymmetry / Sans-serif type / Photography / Functional white space
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スーパーフラット / 2000s– / Style / Japanese Postwar Avant-garde
Juxtaposes anime, manga, advertising and traditional painting on one flat plane, questioning the border of high art and consumer culture.
Extreme flatness / Vivid color / Repeated characters / Commercial culture
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フォトモンタージュ / 1910s– / Technique / Photographic Techniques
Cuts and rejoins photographic fragments, assembling relations and critical meanings that never existed in the original reality.
Cut-out photographs / Mixed scales / Visible seams / Reused print matter
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具体詩／コンクリート・ポエトリー / 1950s–1970s / Layout / Experimental Typography
Treats the placement, repetition, blank space and sound of words as the poem itself, not only what they mean.
Repeated words / Shapes made of letters / Large blanks / Dismantled reading order
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ストリームライン・モダン / 1930s–1940s / Style / Modern Architecture
Gives even stationary things speed and machine-age optimism through streamlines, horizontals, rounded corners and metal.
Streamlined forms / Horizontal bands / Rounded corners / Chrome
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プレシジョニズム / 1910s–1940s / Style / American Modern Art
Paints factories, silos, cities and machines reduced to clear contour, simple geometry and smooth planes.
Sharp contours / Industrial landscapes / Geometric simplification / Smooth surfaces
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ニュー・ヴィジョン写真 / 1920s–1930s / Style / Photography Movements
Looks for perception only a camera can produce, using views from far above and far below, extreme close-ups and experiments with light.
Steep angles / Close-up / Hard light and shadow / Abstraction
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フォトグラム / 1830s– / avant-garde revival / Technique / Photographic Techniques
No camera is involved. Objects laid on the sensitive surface and exposed to light turn contour, transparency and distance into the picture.
Cameraless / Object contours / Reversed values / Contact and distance
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ソラリゼーション / 19th century– / 1920s revival / Technique / Photographic Techniques
Re-exposes the print mid-development, reversing part of the tonal scale into glowing edges and metallic light.
Partial tone reversal / Glowing edges / Metallic feel / Darkroom manipulation
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ピクトリアリズム / late-1800s–c.1914 / Style / Photography Movements
Presented photography as art equal to painting, through soft focus, staged scenes and handworked prints.
Soft focus / Mist and backlight / Painterly composition / Handcrafted prints
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新即物主義写真 / 1920s–1930s / Style / Photography Movements
Steps back from sentiment and records the structure of people and things coolly: sharp focus, frontality, typology.
Sharp focus / Frontality / Repetition and types / Material detail
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連続写真／クロノフォトグラフィ / 1870s–1890s / Technique / Photographic Techniques
Decomposes movement into successive instants, making the structure of time visible in one or a series of photographs.
Multiple exposure / Sequential bodies / Equal intervals / Motion analysis
IndexStyle is not a list of every term used around design. An independent entry must describe a visual language that can be recognised, reproduced and distinguished from its neighbours. Editorial standard