French New Wave
ヌーヴェル・ヴァーグ / 1958–1968 / Style / Cinematic Visual Styles
Critics picked up cameras and went out into the street, using handheld shots, jump cuts and self-reference to turn the grammar of film into a playground.



At a glance
Visual cues
- Handheld camera
- Jump cuts
- Street locations
- Cinema about cinema
Best used for
- Low-budget shorts built from nothing but streets and conversation
- Work that keeps the maker visible and talks about film itself
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Dictionary entry
- Type
- Mix handwriting with off-the-shelf type, drop titles casually at the edge
- Composition
- Hold long takes without reverses, walk the actors through the street
- Material
- Fast stock in available light, jump cuts that show the seam
- Caution
- Scattering jump cuts and handheld moves as style leaves only the pleasure of breaking rules, and the film stops being about anything.
- Further study
- Cahiers du Cinéma / the jump cuts of Breathless / Agnès Varda and the Left Bank
Related entries
- Italian Neorealism (イタリアン・ネオレアリズモ)Same Cinematic Visual Styles lineage.Compare French New Wave and Italian Neorealism
- New Wave (ニュー・ウェーブ)Shared effects: Play / Rebellion.Compare French New Wave and New Wave
More from Cinematic Visual Styles
Continue through styles in the same Cinematic Visual Styles family, prioritised by shared effects.
- Direct Cinema (ダイレクト・シネマ)Shared effects: Intimacy / Rebellion.
- Film Noir (フィルム・ノワール)Shared effects: Rebellion.
- German Expressionist Film (ドイツ表現主義映画)Shared effects: Rebellion.
Browse all Cinematic Visual Styles entries
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- https://indexstyle.org/styles/french-new-wave
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