French New Wave

ヌーヴェル・ヴァーグ / 1958–1968 / Style / Cinematic Visual Styles

Critics picked up cameras and went out into the street, using handheld shots, jump cuts and self-reference to turn the grammar of film into a playground.

French New Wave — AI-generated interpretation 1
AI-generated interpretation, not a reference work
French New Wave — AI-generated interpretation 2
AI-generated interpretation, not a reference work
French New Wave — AI-generated interpretation 3
AI-generated interpretation, not a reference work

At a glance

Visual cues

  • Handheld camera
  • Jump cuts
  • Street locations
  • Cinema about cinema

Best used for

  • Low-budget shorts built from nothing but streets and conversation
  • Work that keeps the maker visible and talks about film itself

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Dictionary entry

Type
Mix handwriting with off-the-shelf type, drop titles casually at the edge
Composition
Hold long takes without reverses, walk the actors through the street
Material
Fast stock in available light, jump cuts that show the seam
Caution
Scattering jump cuts and handheld moves as style leaves only the pleasure of breaking rules, and the film stops being about anything.
Further study
Cahiers du Cinéma / the jump cuts of Breathless / Agnès Varda and the Left Bank

Related entries

More from Cinematic Visual Styles

Continue through styles in the same Cinematic Visual Styles family, prioritised by shared effects.

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https://indexstyle.org/styles/french-new-wave
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