Technicolor
テクニカラー / 1922–1950s / Technique / Film Technology
Brought saturated color to cinema by separation negatives and dye transfer, fixing 'color more vivid than reality' in film memory.
Saturated primaries / Dye-transfer depth / Color supervision / Color-coding dream and reality
Dictionary entry
- Best used for
- Comparing primary sources and canonical works · Extracting principles that transfer to other media
- Type
- Observe the letters, signs and scale of reference works
- Composition
- Extract the one structure that governs gaze and information
- Material
- Verify the materials and behaviors specific to era, region and process
- Caution
- Don't reduce it to surface signs. Verify the context of era, region, technology and makers.
- Further study
- Natalie Kalmus, color supervisor / the color switch of The Wizard of Oz / the permanence of dye-transfer prints

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