1
Swiss
スイス・スタイル / 1950s– / Style / Functionalism
Puts order front and center and makes the information itself the protagonist.
Strict grid / Sans-serif type / Asymmetry / Objective photography
A dictionary of design styles, written from the works themselves.
It is plain HTML. It opens on any browser and any device, with no app and no account, and machines read the same page.
| Terms | 579 |
|---|
Search by style name or describe what you are making. Name matches come first; purpose, desired effect and medium add relevant alternatives.
TryBauhausa premium recruiting websitea trustworthy finance app
1
スイス・スタイル / 1950s– / Style / Functionalism
Puts order front and center and makes the information itself the protagonist.
Strict grid / Sans-serif type / Asymmetry / Objective photography
2
バウハウス / 1919–1933 / Style / Functionalism
Makes function and play coexist through the circle, triangle and square.
Elementary shapes / Primary colors / Functional beauty / Visible structure
3
構成主義 / 1910s–1930s / Style / Avant-garde
Turns a message into motion with diagonals and hard contrast.
Red, black and white / Diagonal axis / Photomontage / Imperative lettering
4
アール・デコ / 1920s–1930s / Style / Historical Styles
Stages urban luxury with repeating geometry and a metallic sheen.
Symmetry / Radiating lines / Stepped motifs / Gold and black
5
アール・ヌーヴォー / 1890s–1910s / Style / Historical Styles
Joins letters, figures and ornament into one flowing, plant-like line.
Botanical curves / Ornamental frames / Female figures / Muted natural colors
6
モダニズム / 1920s–1970s / Style / Functionalism
Replaces ornament with reasoned form and aims at universality. The particular answers stand as their own entries, and Bauhaus, Swiss, Minimalism and Streamline Moderne are all separate solutions arrived at from this one stance.
Simplification / Clear hierarchy / Function first / Universal forms
7
ミニマリズム / 1960s– / Style / Functionalism
Removes elements to maximize the meaning and tension of what remains.
Vast white space / Few elements / Quiet color / Precise spacing
8

ウェブ・ブルータリズム / 2014– / Style / UI Expression
Puts the browser's default rendering straight on screen and refuses the finished look of templates. The bare structure of the HTML becomes the style itself.
Default headings and links / Blue underlined links / Extreme jumps in size / Rules and white space without ornament
9
ミッドセンチュリー・モダン / 1940s–1960s / Style / Retro
Adds hand-felt curves and warmth to rational geometry.
Organic shapes / Calm warm colors / Succinct illustration / Diagonal movement
10
70年代レトロ / 1970s / Style / Retro
Builds cheerful nostalgia from thick round shapes and earthy warm color.
Fat curves / Wave forms / Orange and brown / Repeating stripes
11
ザ・フェイス / 1980s / Style / Publishing and Editing
Redraws its headline letters and section marks issue by issue, then sets them into a page of heavy rules and black bars with the same weight as the photographs.
Extra bold headline letters drawn on geometry / Heavy rules and black bars dividing the page / Section marks that change shape issue by issue / Large type laid over the photograph
12
パンク / 1970s–1980s / Style / Counterculture
A DIY objection to the authority of the tidy, made by cutting, pasting and dirtying.
Cut-and-paste letters / Photocopier noise / Handwriting / Ragged placement
13
ポスト・モダニズム / 1970s–1990s / Style / Avant-garde
Doubts the single right answer and mixes quotation, irony and ornament as play. The answers per field stand as their own entries, with Memphis in furniture, Postmodern Architecture in building, and New Wave on the page.
Mixed styles / Irony / Ornament reclaimed / Unexpected color
14
脱構築主義 / 1980s– / Style / Avant-garde
Dismantles an achieved order and makes tension and instability the new structure.
Fragmentation / Tilt / Colliding layers / Unstable contours
15
サイケデリック / 1960s–1970s / Style / Counterculture
Melts contour and color until reality itself starts to sway.
Swirling curves / Complementary colors / Melting letters / Kaleidoscope patterns
16
シンセウェーブ / 1980s imagined future / Style / Digital Retro
Replays the future the 1980s imagined, in neon and horizon lines.
Neon / Perspective grid / Sunset / Black sky
17
ニュー・ウェーブ / 1970s–1980s / Style / Counterculture
Keeps punk's freedom while re-editing color and grid with urban polish.
Irregular grid / Dots / High chroma / Rotated type
18
19
20

グランジ / 1990s / Style / Counterculture
Uses dirt, tears and wear as resistance to the neatly managed screen.
Scuffing / Tears / Disordered type / Low-quality copies
21
ウェブ1.0 / 1990s / Style / Digital Retro
Reuses the naivety of the constrained early web as directness and charm. In the 2020s it came back as a movement to take the personal site back, gathering under names like Neocities and Yesterweb.
Blue links / Low-res GIFs / System fonts / Plain buttons
22
ワイツーケー / late 1990s–2000s / Style / Digital Retro
Expresses optimism for the new millennium in translucent plastic and rounded futures. Its shine comes from resin and metal you could hold rather than from a screen, which separates it from the interface gloss of the same years.
Translucent plastic / Silver / Bubble forms / Cyber brightness
23
ウェブ2.0グロス / 2000s / Style / Digital Retro
Explains digital interaction as something touchable through gloss, roundness and reflection. It names what the web made when it tried to reproduce the texture of Aqua with images and CSS.
Glossy buttons / Strong gradients / Reflections / Rounded corners
24
スキューモーフィズム / 2000s–2010s / Style / UI Expression
Borrows cues from real materials and tools to make unknown interactions understandable. It names the principle, so Aqua and Brushed Metal are what the principle looked like when one company shipped it.
Leather, metal, paper / Dimensional shadows / Real-world metaphors / Fine textures
25
ニューモーフィズム / late 2010s– / Style / UI Expression
Makes background and controls one material, showing relief through soft shadow alone.
Same-color surfaces / Two-direction shadows / Rounded parts / Low contrast
26
グラスモーフィズム / 2020s / Style / UI Expression
Shows depth and hierarchy through translucent layers, floating information lightly.
Background blur / Translucency / Thin white borders / Color bleed
27
ヴェイパーウェイヴ / 2010s / Style / Digital Retro
Turns memories of consumer society and early digital life into dreamlike unease.
Pink and purple / Classical statues / Early CG / Tropics and Japanese text
28
サイバーパンク / 1980s– / Style / Visions of the Future
Advanced technology and ruined daily life share the same frame, so the future arrives as promise and as threat.
Rainy nights / Multilingual neon / Dense cabling / Dark cities
29
マキシマリズム / recurring / Style / Ornament
Layers quantity, color and pattern without fear, making excess itself the richness.
Layered patterns / Strong color / Ornamental type / Collector's density
30
ゴシック / 12th–16th century / Style / Historical Styles
Summons mystery, awe and permanence through verticality and dark ornament. What is described here is the medieval body of work; the nineteenth-century movement that dug it up stands separately as Gothic Revival.
Blackletter / Pointed forms / Black / Minute ornament
31

ニューブルータリズム / 2010s– / Style / UI Expression
Rebels warmly against the over-polished web with thick borders and blunt color.
Thick black borders / Hard shadows / Vivid color / Flat components
32
フラットデザイン / ベクターミニマリズム / 2010s– / Style / UI Expression
Reduces information to plain planes and color, portable across screens and media.
Uniform planes / Simple shapes / Few shadows / Clear color
33
ジェネレーションX ソフトクラブ / late 1990s / Style / Digital Retro
Paints vague hope for the future in the teal glow bleeding through club darkness.
Teal / Blurred light / Translucency / Abstract 3D
34

フューチャーファンク / 2010s / Style / Digital Retro
Re-edits 1980s Japanese pop at high speed into dazzling euphoria.
80s anime / City pop / Vivid night views / Rapid collage
35
スチームパンク / Victorian retrofuture / Style / Visions of the Future
Extends steam-age materials and machinery into a tangible alternate history.
Brass / Gears / Leather / Gauges
36

アシッド / 1990s–2020s / Style / Counterculture
Slams fluorescent color and distortion together at high pressure, shaking the eye with aggression.
Fluorescent color / Distortion / High contrast / Rough 3D
37
グリッチ / digital / Style / UI Expression
Refuses to hide error and corruption, exposing the fragility of the digital medium itself.
Channel shift / Block noise / Scanlines / Dropout
38
39
ナイーブ / timeless / Style / Illustration Styles
Steps away from the norms of skill, making plain observation and imbalance the charm.
Uneven lines / Flattened perspective / Simple color / Hand-drawn letters
40
ブループリント / industrial / Style / Technical Expression
Instead of a finished object it shows the lines of the thinking behind it, communicating structure and possibility.
White lines on blue / Dimensions / Sections / Handwritten notes
41
リソグラフ / 1980s– / contemporary revival / Technique / Stencil Printing
Keeps the per-color plates and their happy misregistration, giving each copy its own body heat.
Misregistration / Spot-color inks / Halftone dots / Paper show-through
42
ベントーグリッド / 2020s / Layout / Information Design
Divides different kinds of information into independent boxes, giving the whole picture at a glance.
Cards large and small / Aligned gutters / One-screen summary / Modules
43
アイソメトリック・イラストレーション / technical drawing–digital / Technique / Diagrammatic Expression
Keeps depth while looking down from above, explaining relationships among many parts in a single image.
30-degree axes / Uniform scale / Exploded views / Little worlds
44
ソーラーパンク / 2000s– / Aesthetic / Visions of the Future
Refuses to oppose nature and technology, painting a bright future that is tended by hand.
Green and sunlight / Local handwork / Renewable technology / Community
45
アフロフューチャリズム / 20th century– / Aesthetic / Visions of the Future
Connects African diasporic history, culture and future, reclaiming stolen time and new possibility.
Cosmic futures / Cultural pattern / Metal and earth / Myth reinterpreted
46
ダーク・アカデミア / 2010s– / historical references / Aesthetic / Subculture Style
Borrows the shadows of old scholarly rooms to build an obsession with knowledge and a secretive intimacy.
Old books / Deep browns and black / Classical serifs / Candlelight
47
クレイモーフィズム / 2020s / Style / UI Expression
Makes digital components soft and playable with rounded, clay-like volume.
Inflated forms / Inner highlights / Soft shadows / Pastels
48
グラデーション・メッシュ / digital–contemporary / Technique / Painting Techniques
Blends several color focal points smoothly, giving a flat plane the depth of light and atmosphere.
Multi-point gradients / Bleeding light / Large color fields / Soft depth
IndexStyle is not a list of every term used around design. An independent entry must describe a visual language that can be recognised, reproduced and distinguished from its neighbours. Editorial standard