Chiaroscuro

キアロスクーロ / 16th century– / Technique / Painting Techniques

It carves form out of strong contrast and lets light itself tell the story and carry the feeling. The grammar of that light runs from painting through to film noir.

Chiaroscuro — Caravaggio, The Calling of Saint Matthew, 1599–1600 — Wikimedia Commons / Public domain
Caravaggio, The Calling of Saint Matthew, 1599–1600 — Wikimedia Commons / Public domain
Chiaroscuro — Candlelit painting by Georges de La Tour — Wikimedia Commons / Public domain
Candlelit painting by Georges de La Tour — Wikimedia Commons / Public domain
Chiaroscuro — Night scene by La Tour — Wikimedia Commons / Public domain
Night scene by La Tour — Wikimedia Commons / Public domain

At a glance

Visual cues

  • A single light source
  • Deep darkness
  • Form carved by light
  • Dramatic shadow

Best used for

  • Portraits where a single lit area has to carry the whole story
  • Lighting crime drama or stage work that builds tension from darkness

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Dictionary entry

Type
Put type only inside the lit band and leave the dark empty
Composition
Give most of the frame to darkness, keep highlights under a third
Material
One source, with a bounce lifting only the floor of the shadow
Caution
Darkness crushed in post carves no form, the direction of the light stays unreadable, and the image is merely dim.
Further study
Caravaggio / Rembrandt's lighting / its inheritance by cinematographers

Related entries

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Continue through styles in the same Painting Techniques family, prioritised by shared effects.

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https://indexstyle.org/styles/chiaroscuro
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[Chiaroscuro — IndexStyle](https://indexstyle.org/styles/chiaroscuro)
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