Mono-ha

もの派 / late 1960s–1970s / 风格 / 近现代艺术运动

A Japanese tendency that placed stone, wood, glass, steel, and cotton with minimal transformation to expose relations among things, site, support, fracture, and gravity rather than constructing a finished shape.

Natural and industrial matter placed in pairs or small groups / Visible cutting, support, pressure, and gravity / Floor and wall contact replacing a strong pedestal / Largely unprocessed stone, steel, wood, cotton, and glass

Mono-ha — AI 生成的诠释图像
AI 生成的诠释图像(并非参考作品)

辞典词条

适用场景
Making contact, support, and weight legible instead of using material as a symbol;Letting architecture or product displays hold the boundary between natural and industrial matter
字体
Move explanation to the wall and name only the material relation.
版面
Set distance, contact, and center of mass between two materials and keep walk-around space.
材料
Use stone, steel plate, wood, cotton, or glass without cosmetic finishing, concealing only the safety engineering.
注意
Placing a stone is not enough. If the relation among material, placement, and site cannot be stated, it becomes display rather than Mono-ha.
延伸阅读
Lee Ufan and Sekine Nobuo / Phase—Mother Earth and Relatum / encounter, place and material relation

相关词条

继续浏览近现代艺术运动

从近现代艺术运动中按共同感受优先推荐以下词条。

查看近现代艺术运动全部词条

引用此条目

这部辞典就是用来被链接的。请取用适合你写作场合的那一种形式。

Link
https://indexstyle.org/zh/styles/mono-ha
Markdown
[Mono-ha — IndexStyle](https://indexstyle.org/zh/styles/mono-ha)
HTML
<a href="https://indexstyle.org/zh/styles/mono-ha">Mono-ha — IndexStyle</a>

返回索引中的位置