Mono-ha

もの派 / late 1960s–1970s / 양식 / 근현대 미술 운동

A Japanese tendency that placed stone, wood, glass, steel, and cotton with minimal transformation to expose relations among things, site, support, fracture, and gravity rather than constructing a finished shape.

Natural and industrial matter placed in pairs or small groups / Visible cutting, support, pressure, and gravity / Floor and wall contact replacing a strong pedestal / Largely unprocessed stone, steel, wood, cotton, and glass

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사전 항목

적합한 용도
Making contact, support, and weight legible instead of using material as a symbol · Letting architecture or product displays hold the boundary between natural and industrial matter
타이포그래피
Move explanation to the wall and name only the material relation.
구성
Set distance, contact, and center of mass between two materials and keep walk-around space.
재료
Use stone, steel plate, wood, cotton, or glass without cosmetic finishing, concealing only the safety engineering.
주의
Placing a stone is not enough. If the relation among material, placement, and site cannot be stated, it becomes display rather than Mono-ha.
더 읽을거리
Lee Ufan and Sekine Nobuo / Phase—Mother Earth and Relatum / encounter, place and material relation

관련 항목

근현대 미술 운동 더 보기

근현대 미술 운동에서 공통 인상이 많은 항목을 우선해 골랐습니다.

근현대 미술 운동 전체 보기

이 항목을 인용하기

사전은 링크되기 위해 있다. 글을 쓰는 자리에 맞는 형식을 그대로 가져가면 된다.

Link
https://indexstyle.org/ko/styles/mono-ha
Markdown
[Mono-ha — IndexStyle](https://indexstyle.org/ko/styles/mono-ha)
HTML
<a href="https://indexstyle.org/ko/styles/mono-ha">Mono-ha — IndexStyle</a>

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