Mono-ha

もの派 / late 1960s–1970s / Stil / Moderne und zeitgenössische Kunstbewegungen

A Japanese tendency that placed stone, wood, glass, steel, and cotton with minimal transformation to expose relations among things, site, support, fracture, and gravity rather than constructing a finished shape.

Natural and industrial matter placed in pairs or small groups / Visible cutting, support, pressure, and gravity / Floor and wall contact replacing a strong pedestal / Largely unprocessed stone, steel, wood, cotton, and glass

Mono-ha — KI-generierte Interpretation
KI-generierte Interpretation, kein Referenzwerk

Wörterbucheintrag

Geeignet für
Making contact, support, and weight legible instead of using material as a symbol · Letting architecture or product displays hold the boundary between natural and industrial matter
Typografie
Move explanation to the wall and name only the material relation.
Komposition
Set distance, contact, and center of mass between two materials and keep walk-around space.
Material
Use stone, steel plate, wood, cotton, or glass without cosmetic finishing, concealing only the safety engineering.
Zu vermeiden
Placing a stone is not enough. If the relation among material, placement, and site cannot be stated, it becomes display rather than Mono-ha.
Zum Weiterlesen
Lee Ufan and Sekine Nobuo / Phase—Mother Earth and Relatum / encounter, place and material relation

Verwandte Einträge

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