Shibori

絞り染め / 8th century– / Technique / Textile Traditions

A technique in which cloth is stitched, bound or clamped between boards before dyeing, so that only the parts under pressure stay white. The result is left to the strength of the craftsman's hands and the movement of the cloth, and no two pieces come out alike even from the same pattern.

Shibori — Utagawa Hiroshige, Famous Views of the Fifty-three Stations of the Tōkaidō, no. 41 Narumi, shop of the local Arimatsu shibori, 1855 — Wikimedia Commons / Public domain
Utagawa Hiroshige, Famous Views of the Fifty-three Stations of the Tōkaidō, no. 41 Narumi, shop of the local Arimatsu shibori, 1855 — Wikimedia Commons / Public domain
Shibori — Kosode fragment with chrysanthemum and lozenge pattern, kanoko shibori, late 17th century, Los Angeles County Museum of Art — Wikimedia Commons / Public domain
Kosode fragment with chrysanthemum and lozenge pattern, kanoko shibori, late 17th century, Los Angeles County Museum of Art — Wikimedia Commons / Public domain
Shibori — Kosode fragment with tortoiseshell, wave and cherry blossom pattern, kanoko shibori, early 17th century, Los Angeles County Museum of Art — Wikimedia Commons / Public domain
Kosode fragment with tortoiseshell, wave and cherry blossom pattern, kanoko shibori, early 17th century, Los Angeles County Museum of Art — Wikimedia Commons / Public domain

At a glance

Visual cues

  • The bled white left by binding
  • Regular grain from stitch resist
  • Geometric ground patterns from board clamping
  • A texture that keeps the relief of the cloth

Best used for

  • Making a surface that differs piece by piece from the same pattern
  • Using a texture that records the pressure of the hand on purpose

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Dictionary entry

Type
Choose heavier letterforms that survive the unevenness of handwork.
Composition
Mix intended irregularity into a regular repeat.
Material
Resist the dye by binding and pressure, and allow the dye to bleed.
Caution
Reproducing the pattern in print makes it another thing entirely. The bleed and the unevenness are the record of the technique.
Further study
The Arimatsu and Narumi centers and their families of technique / The differences among itajime, nuishime and bōshi shibori / Its combination with indigo dyeing

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Often confused with

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