Kalamkari

カラムカリ / surviving early modern textiles–present / Technique / Textile Traditions

A South Indian tradition of drawing and colouring cloth through mordants and resists. Hand-drawn narratives and block-printed ornament are different branches, often sharing outlined forms and flat colour. Retain distinctions between centres such as Srikalahasti and Machilipatnam rather than using the name for any floral fabric.

Kalamkari — Kalamkari Rumal, ca. 1640–50 — Metropolitan Museum of Art — Wikimedia Commons / CC0
Kalamkari Rumal, ca. 1640–50 — Metropolitan Museum of Art — Wikimedia Commons / CC0 · CC0
Kalamkari — Dashavatara kalamkari hanging, ca. 1870–1930 — British Museum; photo: Jl FilpoC — Wikimedia Commons / CC BY-SA 4.0
Dashavatara kalamkari hanging, ca. 1870–1930 — British Museum; photo: Jl FilpoC — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0

At a glance

Visual cues

  • Dark outlines separating figures, plants and scenes
  • Red or indigo fields beside areas of retained cloth colour
  • Borders enclosing narrative sections or floral repeats
  • Pen lines and block repetition varying by place and work

Best used for

  • Explaining textile narratives and dyeing through examples and process diagrams
  • Working with makers on the relationship between borders and scenes in cloth or exhibitions

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Dictionary entry

Type
Keep scene explanations separate and identify place, use and technique in short labels.
Composition
Define border and central field, then choose narrative compartments or a repeat unit.
Material
Make test pieces and record the separate roles of drawing, mordant, resist and washing.
Caution
Do not describe hand drawing and block printing as one process. Distinguish printed imitations from handwork and do not assume all present-day kalamkari uses natural dyes.
Further study
Srikalahasti and Machilipatnam traditions / The Met — Kalamkari Rumal, ca. 1640–50 / British Museum — Dashavatara kalamkari hanging

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