Indigenismo
インディヘニスモ / 1920s–1950s / Style / Latin American Avant-garde
以安第斯诸国为中心，将原住民的身体、服饰与土地作为国民主题来描绘的运动。它不以欧洲的理想形象、而以当地的骨骼与色彩为基准，并扩展到绘画、版画、摄影与建筑装饰。它撼动了“以什么作为美的基准”这一问题本身。
对原住民身体与服饰的描绘 / 安第斯的泥土与天空的色域 / 纪念碑式的人物体量 / 对前哥伦布时期纹样的引用
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辞典词条
- 适用场景
- National and regional cultural identity for museums, festivals and tourism, where the imagery must come out of the place rather than be applied to it；Portrait direction that treats non-European proportion and dress as the standard rather than the exception
- 字体
- A firm, broad-stemmed face whose weight matches the mass of the figure, with pre-Columbian geometry used sparingly as rule and border.
- 版面
- A frontal figure occupying most of the height against a high plateau horizon, the ornament confined to the edges.
- 材料
- Ochre, oxide red and the hard blue of high altitude, on matte surfaces that hold earth tones without gloss.
- 注意
- Taking the ornament without the people: pre-Columbian pattern applied as decoration to an otherwise European image is exactly the appropriation the movement formed against.
- 延伸阅读
- José Sabogal and the Peruvian development / Its difference from Mexican muralism / Criticism of its representation of indigenous people