Cubism
キュビスム / 1907–1925 / Style / Avant-garde
一场把对象从单一视点中解放出来的绘画革命，将从多个角度看到的切面重新组装在同一个平面上。分析阶段破碎的块面与低饱和的色调，继而综合阶段的报纸拼贴与字母，为二十世纪的平面设计奠定了根本前提：画面不是通向现实的窗口，而是一片建构的场域。
多重视点同时呈现 / 被分解为切面的对象 / 低饱和的土色与灰阶 / 报纸与字母的拼贴
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辞典词条
- 适用场景
- Editorial layouts that fragment a subject into overlapping planes；Brand imagery that signals intellectual, constructed modernism
- 字体
- Compact grotesques and stencil-like capitals echoing Synthetic-phase lettering
- 版面
- Overlapping angular planes that fracture the subject; multiple viewpoints collapsed into one shallow picture space
- 材料
- Muted ochres, umbers and greys; newsprint textures and pasted-paper edges
- 注意
- Avoid fragmenting for decoration alone—if the planes no longer describe the subject from real viewpoints, the result reads as random shattering, not Cubism.
- 延伸阅读
- The difference between Analytic and Synthetic Cubism / Papier collé and the introduction of type / The branching into Purism and Orphism