{"id":"indigenismo","no":495,"name":"Indigenismo","ja":"インディヘニスモ","era":"1920s–1950s","family":"ラテンアメリカ前衛","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Indigenismo","url":"https://en.wikipedia.org/wiki/Indigenismo"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Indigenismo","credit":"Wikipedia — Indigenismo","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Cover%20of%20Amauta%20-26.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Cover%20of%20Amauta%20-26.jpg","credit":"雑誌『Amauta』第26号表紙 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Amauta%20magazine%20cover%2026.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Amauta%20magazine%20cover%2026.jpg","credit":"雑誌『Amauta』表紙 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Amauta%20N%C3%BAm.%201%20(page%201%20crop).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Amauta%20N%C3%BAm.%201%20(page%201%20crop).jpg","credit":"雑誌『Amauta』創刊号 — Wikimedia Commons / Public domain"}]},"essence":"アンデス諸国を中心に、先住民の身体・衣装・土地を国民の主題として描いた運動。ヨーロッパの理想像ではなく現地の骨格と色を基準に据え、絵画・版画・写真・建築装飾へ広がった。何を美の基準にするかという問いそのものを動かした。","cues":["先住民の身体と衣装の描写","アンデスの土と空の色域","記念碑的な人物の量塊","前コロンブス期の文様の引用"],"intents":["信頼","懐かしさ","反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["mexican-muralism","american-regionalism"],"study":["ホセ・サボガルとペルーの動向","メキシコ壁画運動との差","先住民表象をめぐる批判"],"en":{"essence":"A movement, centred on the Andean countries, that made the bodies, dress and land of indigenous people the subject of the nation. It took local frame and local colour as its standard in place of a European ideal, and spread through painting, printmaking, photography and architectural ornament. It shifted the question of what beauty is measured against.","cues":["Depiction of indigenous bodies and dress","The colour range of Andean earth and sky","Monumental mass in the figure","Quotation of pre-Columbian ornament"],"works":["National and regional cultural identity for museums, festivals and tourism, where the imagery must come out of the place rather than be applied to it","Portrait direction that treats non-European proportion and dress as the standard rather than the exception"],"recipe":{"type":"A firm, broad-stemmed face whose weight matches the mass of the figure, with pre-Columbian geometry used sparingly as rule and border.","layout":"A frontal figure occupying most of the height against a high plateau horizon, the ornament confined to the edges.","material":"Ochre, oxide red and the hard blue of high altitude, on matte surfaces that hold earth tones without gloss."},"avoid":"Taking the ornament without the people: pre-Columbian pattern applied as decoration to an otherwise European image is exactly the appropriation the movement formed against.","study":["José Sabogal and the Peruvian development","Its difference from Mexican muralism","Criticism of its representation of indigenous people"]}}