Creacionismo
クレアシオニスモ / 1916–1930s / Layout / Experimental Typography
宣称诗并非摹写自然、而是创造新的事实的运动，发端于智利并途经巴黎。它大量产出把文字当作图形来配置的视觉诗，使语言与画面的边界成为实验的对象。它与Ultraísmo并列为西班牙语世界前卫的支柱。
把文字当作图形来配置 / 诗行在视觉上的重组 / 毫无修饰的活字 / 把白底当作构成要素来使用
辞典词条
- 适用场景
- Posters and titles where the words physically form the image, with no illustration and no photograph；Book and exhibition typography for texts that must be read as constructed objects rather than transcribed speech
- 字体
- One plain face at several sizes, with the change of scale as the only expressive device.
- 版面
- Words positioned as objects in a field, the white ground measured as carefully as the type, alignment abandoned wherever the sense requires it.
- 材料
- Black on white and nothing else: no rule, no colour, no image to fall back on.
- 注意
- Scattering words for the look of it: here the position of every word is an assertion, and arbitrary placement leaves only a shape.
- 延伸阅读
- Vicente Huidobro's theory / Comparison with the calligramme / The typesetting of Altazor