{"id":"creacionismo","no":497,"name":"Creacionismo","ja":"クレアシオニスモ","era":"1916–1930s","family":"実験タイポグラフィ","kind":"レイアウト","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Creacionismo","url":"https://en.wikipedia.org/wiki/Creacionismo"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Creacionismo","credit":"Wikipedia — Creacionismo","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Altazor%20-%20Poema.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Altazor%20-%20Poema.JPG","credit":"Vicente Huidobro『Altazor』の紙面 — Wikimedia Commons / Public domain"}]},"essence":"詩は自然を写すのではなく新しい事実を創るのだと宣言した、チリ発でパリを経た運動。文字を図形として配置する視覚詩を大量に生み、言葉と画面の境界を実験の対象にした。ウルトライスモと並ぶスペイン語圏前衛の柱。","cues":["文字を図形として配置する","詩行の視覚的な組み替え","飾りのない活字","白地を構成要素として使う"],"intents":["未来","技術","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["ultraismo","concrete-poetry"],"study":["ビセンテ・ウイドブロの理論","カリグラムとの比較","『Altazor』の組版"],"en":{"essence":"A movement begun in Chile and carried through Paris, which declared that poetry does not copy nature but creates new facts. It produced visual poems in quantity, arranging letters as shapes and making the border between language and page a subject of experiment. With Ultraismo, one of the two pillars of the Spanish-language avant-garde.","cues":["Letters arranged as shapes","Lines of verse recomposed visually","Type without ornament","The white ground used as a component"],"works":["Posters and titles where the words physically form the image, with no illustration and no photograph","Book and exhibition typography for texts that must be read as constructed objects rather than transcribed speech"],"recipe":{"type":"One plain face at several sizes, with the change of scale as the only expressive device.","layout":"Words positioned as objects in a field, the white ground measured as carefully as the type, alignment abandoned wherever the sense requires it.","material":"Black on white and nothing else: no rule, no colour, no image to fall back on."},"avoid":"Scattering words for the look of it: here the position of every word is an assertion, and arbitrary placement leaves only a shape.","study":["Vicente Huidobro's theory","Comparison with the calligramme","The typesetting of Altazor"]}}