{"id":"creacionismo","no":455,"name":"Creacionismo","ja":"クレアシオニスモ","era":"1916–1930s","family":"実験タイポグラフィ","kind":"レイアウト","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Creacionismo","url":"https://en.wikipedia.org/wiki/Creacionismo"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Creacionismo","credit":"Wikipedia — Creacionismo","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Triangulo%20armonico.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Triangulo%20armonico.jpg","credit":"ビセンテ・ウイドブロ《Triángulo armónico》『Canciones en la noche』1913 のカリグラム — Wikimedia Commons / CC BY-SA 2.0"}]},"essence":"詩は自然を写すのではなく新しい事実を創るのだと宣言した、チリ発でパリを経た運動。文字を図形として配置する視覚詩を大量に生み、言葉と画面の境界を実験の対象にした。ウルトライスモと並ぶスペイン語圏前衛の柱。","cues":["文字を図形として配置する","詩行の視覚的な組み替え","飾りのない活字","白地を構成要素として使う"],"intents":["未来","技術","静けさ"],"works":["本や展示の組版で、行の配置そのものに意味を持たせたいとき","ポスターや表題を、図版も写真も使わず文字だけで像にしたいとき"],"recipe":{"type":"飾りのない一書体を数種の大きさで使い、大小の差だけを表現にする","layout":"語を場に置く物として扱い、白地も活字と同様に測り、揃えは意味に従って崩す","material":"黒一色で刷り、罫も色も図版も使わず紙の白を構成材にする"},"avoid":"文字を絵の輪郭に沿わせたり、見た目だけで散らしたりすると、語の位置が主張だという前提が消え、形をなぞる遊びに終わる。","colors":["#efe0ba","#97886c","#271d0d"],"motif":"graphic","pair":["concrete-poetry","estridentismo"],"study":["ビセンテ・ウイドブロの理論","カリグラムとの比較","『Altazor』の組版"],"en":{"essence":"A movement begun in Chile and carried through Paris, which declared that poetry does not copy nature but creates new facts. It produced visual poems in quantity, arranging letters as shapes and making the border between language and page a subject of experiment. With Ultraismo, one of the two pillars of the Spanish-language avant-garde.","cues":["Letters arranged as shapes","Lines of verse recomposed visually","Type without ornament","The white ground used as a component"],"works":["Posters and titles where the words physically form the image, with no illustration and no photograph","Book and exhibition typography for texts that must be read as constructed objects rather than transcribed speech"],"recipe":{"type":"One plain face at several sizes, with the change of scale as the only expressive device.","layout":"Words positioned as objects in a field, the white ground measured as carefully as the type, alignment abandoned wherever the sense requires it.","material":"Black on white and nothing else: no rule, no colour, no image to fall back on."},"avoid":"Scattering words for the look of it: here the position of every word is an assertion, and arbitrary placement leaves only a shape.","study":["Vicente Huidobro's theory","Comparison with the calligramme","The typesetting of Altazor"]},"links":{"page":"https://indexstyle.org/styles/creacionismo","json":"https://indexstyle.org/api/styles/creacionismo","designSpec":"https://indexstyle.org/styles/creacionismo/design.md","imagePrompt":"https://indexstyle.org/styles/creacionismo/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}