Lettrism
レトリスム / 1946–1970s / Style / Experimental Typography
一场诞生于巴黎的运动，把字母从承载意义的职责中解放出来，将声音与形状本身当作作品的材料。从铺满不可读字符的画面，到字符不断增殖的「超书写」，再到直接刻划在胶片上的痕迹，它扩展了把文字当作物质来处理的实验。
铺满不可读字符的画面 / 手写与铅字混排 / 字符增殖的超书写 / 被当作绘画材料的字母
辞典词条
- 适用场景
- Experimental type specimens and title sequences where letterforms are pure texture；Music and poetry-scene artwork built from dense asemic writing
- 字体
- Invented alphabets, asemic glyphs and salvaged type mixed without hierarchy
- 版面
- All-over fields of signs with no reading path; density itself is the composition
- 材料
- Ink, paint and scratched film or paper—letters applied as physical marks
- 注意
- Avoid leaving legible words in the field; a single readable phrase reinstates the meaning the style exists to suspend.
- 延伸阅读
- Isidore Isou's theory / The definition of hypergraphy / The split that led to the Situationists