Fauvism
フォーヴィスム / 1904–1908 / Style / Avant-garde
A short-lived movement that severed colour from the depiction of its subject, slamming pure hues onto the canvas as flat planes. The brushstroke itself carries the contour, and adjacent complementaries make the surface vibrate. It became the starting point for every later design that uses colour as a device of emotion.



At a glance
Visual cues
- Pure colour straight from the tube
- Complementaries set directly side by side
- Bare white ground left unpainted
- Rough brushstrokes doubling as contours
Best used for
- Announcing a festival or event with no photography, letting saturated colour carry it
- Painting outdoor walls or banners so the lift of the colour carries from a distance
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Dictionary entry
- Type
- Brush lettered forms, nothing geometric, read by complementary against the ground
- Composition
- No drawn contour, form set only where colours meet, bare ground left breathing
- Material
- Unmixed saturated pigment, vermilion, viridian and cobalt, laid thick on untouched white
- Caution
- Covering the whole surface with strong colour stops the vibration between neighbours and leaves noise. Always keep the bare white ground that lets the clash register.
- Further study
- The 'wild beasts' review at the 1905 Salon d'Automne / The relationship between colour and emotion / The development toward decorative flatness
Related entries
- Expressionism (表現主義)Same Avant-garde lineage.Compare Fauvism and Expressionism
- Cloisonnism (クロワゾニスム)Editorially linked for a useful contrast.Compare Fauvism and Cloisonnism
Often confused with
More from Avant-garde
Continue through styles in the same Avant-garde family, prioritised by shared effects.
- Constructivism (構成主義)Shared effects: Exhilaration.
- Dada (ダダ)Shared effects: Exhilaration.
- Italian Futurism (イタリア未来派)Shared effects: Exhilaration.
Browse all Avant-garde entries
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