Fauvism

フォーヴィスム / 1904–1908 / Style / Avant-garde

A short-lived movement that severed colour from the depiction of its subject, slamming pure hues onto the canvas as flat planes. The brushstroke itself carries the contour, and adjacent complementaries make the surface vibrate. It became the starting point for every later design that uses colour as a device of emotion.

Fauvism — Henri Matisse, Open Window, Collioure, 1905 — Wikimedia Commons / Public domain
Henri Matisse, Open Window, Collioure, 1905 — Wikimedia Commons / Public domain
Fauvism — Henri Matisse, Landscape at Collioure, 1905 — Wikimedia Commons / Public domain
Henri Matisse, Landscape at Collioure, 1905 — Wikimedia Commons / Public domain
Fauvism — Henri Matisse, André Derain, 1905 — Wikimedia Commons / Public domain
Henri Matisse, André Derain, 1905 — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Pure colour straight from the tube
  • Complementaries set directly side by side
  • Bare white ground left unpainted
  • Rough brushstrokes doubling as contours

Best used for

  • Announcing a festival or event with no photography, letting saturated colour carry it
  • Painting outdoor walls or banners so the lift of the colour carries from a distance

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Dictionary entry

Type
Brush lettered forms, nothing geometric, read by complementary against the ground
Composition
No drawn contour, form set only where colours meet, bare ground left breathing
Material
Unmixed saturated pigment, vermilion, viridian and cobalt, laid thick on untouched white
Caution
Covering the whole surface with strong colour stops the vibration between neighbours and leaves noise. Always keep the bare white ground that lets the clash register.
Further study
The 'wild beasts' review at the 1905 Salon d'Automne / The relationship between colour and emotion / The development toward decorative flatness

Related entries

Often confused with

More from Avant-garde

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