Sōsaku-hanga
創作版画 / 1904–1960s / 风格 / 日本木版画
否定绘师、雕师、摺师的分工，宣称自画、自刻、自摺由一人承担的运动。它选择保留作者的手感而非技术上的完成度，与同时代的新版画走了完全相反的路。
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快速判断
视觉特征
- 保留刀痕的粗犷线条
- 自画自刻自摺
- 容许变形与刷印不匀
- 作者个人的题材
适用场景
- Making prints that keep the trace of the hand as a value
- Showing making in the first person rather than by division of labor
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详细方法与出处制作规则、真实案例、比较、研究与引用格式
辞典词条
- 字体
- Cut hand carved letters into the block as part of the image.
- 版面
- Use the rectangle of the block itself as the frame.
- 材料
- Keep the grain of the wood and the cut marks, and do not erase uneven printing.
- 注意
- Roughness itself is not the goal. The substance is the choice of what you take on with your own hands.
- 延伸阅读
- Yamamoto Kanae, Fisherman, 1904 / The founding of the Japan Creative Print Association / Its ideological opposition to shin-hanga
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