{"id":"sosaku-hanga","no":498,"name":"Sōsaku-hanga","ja":"創作版画","era":"1904–1960s","family":"日本の木版画","kind":"スタイル","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Wikipedia — Sōsaku-hanga","url":"https://en.wikipedia.org/wiki/S%C5%8Dsaku-hanga"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/S%C5%8Dsaku-hanga","credit":"Wikipedia — Sōsaku-hanga","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Kanae%20Yamamoto%20(1904)%20Gy%C5%8Dfu.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Kanae%20Yamamoto%20(1904)%20Gy%C5%8Dfu.jpg","credit":"山本鼎《漁夫》1904 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Onchi%20Joj%C3%B4%20I%20(1914).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Onchi%20Joj%C3%B4%20I%20(1914).jpg","credit":"恩地孝四郎《抒情 Lyric I》1914 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Fujimaki%201934.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Fujimaki%201934.jpg","credit":"藤牧義夫《Red sun》1934 — Wikimedia Commons / Public domain"}]},"essence":"絵師・彫師・摺師の分業を否定し、自画・自刻・自摺をひとりで担うと宣言した運動。技術的な完成度より作者の手つきを残すことを選び、同時代の新版画とは正反対の道を採った。","cues":["彫り跡を残す粗い線","自画自刻自摺","歪みや刷りムラの許容","作家個人の主題"],"intents":["反骨","親密","技術"],"works":["手の痕跡を価値として残す版画をつくる","分業ではなく一人称の制作を示す"],"recipe":{"type":"手彫りの文字を版の一部として彫り込む","layout":"版木の矩形をそのまま画面の枠として使う","material":"版木の目と彫り跡を残し、摺りムラを消さない"},"avoid":"粗さそのものが目的ではない。何を自分の手で担うかという選択が中身である。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["shin-hanga","ukiyo-e"],"study":["山本鼎『漁夫』1904","日本創作版画協会の設立","新版画との思想的対立"],"en":{"essence":"A movement that rejected the division of labor among designer, carver and printer and declared that one person draws, carves and prints. It chose to leave the trace of the maker's hand rather than technical perfection, taking the opposite road from the shin-hanga of the same years.","cues":["Coarse lines that keep the marks of the knife","Self drawn, self carved, self printed","Tolerance for distortion and uneven inking","Subjects personal to the artist"],"works":["Making prints that keep the trace of the hand as a value","Showing making in the first person rather than by division of labor"],"recipe":{"type":"Cut hand carved letters into the block as part of the image.","layout":"Use the rectangle of the block itself as the frame.","material":"Keep the grain of the wood and the cut marks, and do not erase uneven printing."},"avoid":"Roughness itself is not the goal. The substance is the choice of what you take on with your own hands.","study":["Yamamoto Kanae, Fisherman, 1904","The founding of the Japan Creative Print Association","Its ideological opposition to shin-hanga"]}}