Impressionism
印象主義 / 1860s–1880s / Style / Painting Techniques
走到户外、用快速笔触直接捕捉眼前光线本身的运动。它舍弃轮廓线，用补色而非黑色安置阴影，并把同一对象按不同时刻分别画出。此后几乎所有前卫艺术，都以赞成或反对这一运动来确立自身。
分割开的短促笔触 / 不用黑色的阴影 / 户外的自然光 / 捕捉瞬间的构图
辞典词条
- 适用场景
- Building an image whose subject is light and the passage of time；Raising form from adjacent colors instead of contour
- 字体
- Keep the lightness of the hand and do not tighten the page with a rigid face.
- 版面
- Move off center and let the edge of the frame cut the subject.
- 材料
- Set unmixed colors side by side and leave white ground to make the light.
- 注意
- Imitating the brushwork alone produces nothing but blur. The real decision is which color goes into the shadow.
- 延伸阅读
- The first exhibition of 1874 and Impression, Sunrise / Painting outdoors as made possible by paint in tubes and the railway / The reception of ukiyo-e composition