{"id":"impressionism","no":491,"name":"Impressionism","ja":"印象主義","era":"1860s–1880s","family":"絵画技法","kind":"スタイル","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Tate — Art Terms: Impressionism","url":"https://www.tate.org.uk/art/art-terms/i/impressionism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/i/impressionism","credit":"Tate — Art Terms: Impressionism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Claude%20Monet%2C%20Impression%2C%20soleil%20levant%2C%201872.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Claude%20Monet%2C%20Impression%2C%20soleil%20levant%2C%201872.jpg","credit":"クロード・モネ《印象・日の出》1872年 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Auguste%20Renoir%20-%20Dance%20at%20Le%20Moulin%20de%20la%20Galette%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Auguste%20Renoir%20-%20Dance%20at%20Le%20Moulin%20de%20la%20Galette%20-%20Google%20Art%20Project.jpg","credit":"ピエール＝オーギュスト・ルノワール《ムーラン・ド・ラ・ギャレットの舞踏会》1876年 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Camille%20Pissarro%2C%20The%20Boulevard%20Montmartre%20at%20Night%2C%201897.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Camille%20Pissarro%2C%20The%20Boulevard%20Montmartre%20at%20Night%2C%201897.jpg","credit":"カミーユ・ピサロ《夜のモンマルトル大通り》1897年 — Wikimedia Commons / Public domain"}]},"essence":"戸外へ出て、目に入る光そのものを速い筆致で捉えた運動。輪郭線を捨て、影を黒ではなく補色で置き、同じ対象を時刻ごとに描き分けた。以後の前衛はほぼ全てこの運動への賛否として自らを定義している。","cues":["分割された短い筆触","黒を使わない影","戸外の自然光","一瞬を捉えた構図"],"intents":["高揚","静けさ","親密"],"works":["光と時間の移ろいを主題にした画面をつくる","輪郭に頼らず色の隣接で形を立ち上げる"],"recipe":{"type":"手描きの軽さを保ち、硬い書体で締めすぎない","layout":"中心を外し、画面の端で対象を切る","material":"混ぜない色を隣り合わせ、白地を残して光をつくる"},"avoid":"筆致だけ真似ると単なるぼかしになる。影に何色を置くかが判断の本体である。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["neo-impressionism","post-impressionism"],"study":["1874年の第1回展と『印象・日の出』","チューブ絵具と鉄道が可能にした戸外制作","浮世絵の構図の受容"],"en":{"essence":"A movement that went outdoors and caught light itself with rapid strokes. It abandoned the contour line, laid shadows in complementary colors rather than black, and painted the same subject differently at each hour of the day. Nearly every avant-garde that followed defined itself by agreeing or disagreeing with it.","cues":["Short, divided touches of paint","Shadows made without black","Natural light outdoors","Composition that catches an instant"],"works":["Building an image whose subject is light and the passage of time","Raising form from adjacent colors instead of contour"],"recipe":{"type":"Keep the lightness of the hand and do not tighten the page with a rigid face.","layout":"Move off center and let the edge of the frame cut the subject.","material":"Set unmixed colors side by side and leave white ground to make the light."},"avoid":"Imitating the brushwork alone produces nothing but blur. The real decision is which color goes into the shadow.","study":["The first exhibition of 1874 and Impression, Sunrise","Painting outdoors as made possible by paint in tubes and the railway","The reception of ukiyo-e composition"]}}