Lyrical Abstraction

リリカル・アブストラクション / 1947–1970s / Style / Postwar Abstract Painting

Abstraction that leans neither on geometric discipline nor on violent gesture, assembling a lyric out of flowing strokes and bleeding colour. The name was born in Paris and was later applied in America to thinly painted, stained canvases. A reference point whenever softness and lightness have to be designed.

Lyrical Abstraction — Karel Appel, Leap into Space, 1953 — Wikimedia Commons / CC BY 2.0 · © Pedro Ribeiro Simões from Lisboa, Portugal
Karel Appel, Leap into Space, 1953 — Wikimedia Commons / CC BY 2.0 · CC BY 2.0 · © Pedro Ribeiro Simões from Lisboa, Portugal
Lyrical Abstraction — Michel Carrade, watercolour on paper, 1951 — Wikimedia Commons / CC BY-SA 4.0 · © Caillouriant
Michel Carrade, watercolour on paper, 1951 — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0 · © Caillouriant

At a glance

Visual cues

  • Flowing brushwork
  • Layers of bleed and overlap
  • Light, transparent colour
  • Composition without a centre

Best used for

  • Covers for healthcare, poetry or chamber music where the mark stays handmade yet weightless
  • Large washes for packaging and interiors that avoid both the corporate gradient and the heavy painterly cliche

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Dictionary entry

Type
A light-weight seriffed face set small at one corner, never crossing the centre of the wash.
Composition
An all-over, centreless field running past all four edges, offering the eye no anchor and no focal incident.
Material
Thinned colour on an absorbent ground, so the pigment spreads and the edge is decided by the substrate rather than by the hand.
Caution
Adding colours muddies the layers and loses the transparency, and one confident stroke in the middle turns the field into a logo, destroying the drift the style is made of.
Further study
The difference between the Paris usage and the American one / The staining technique / The exhibitions around 1970

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