{"id":"lyrical-abstraction","no":447,"name":"Lyrical Abstraction","ja":"リリカル・アブストラクション","era":"1947–1970s","family":"戦後抽象絵画","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Lyrical Abstraction","url":"https://en.wikipedia.org/wiki/Lyrical_abstraction"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Lyrical_abstraction","credit":"Wikipedia — Lyrical Abstraction","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Saut%20dans%20l'espace%20(1953)%20-%20Karel%20Appel%20(1921-2006)%20(42578859160).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Saut%20dans%20l'espace%20(1953)%20-%20Karel%20Appel%20(1921-2006)%20(42578859160).jpg","credit":"Karel Appel《空間への跳躍》1953 — Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Aquarelle1951.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Aquarelle1951.jpg","credit":"ミシェル・カラード 紙に水彩 1951 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"幾何学の規律にも激しい身振りにも寄らず、流れる筆致と滲む色で叙情を組み立てる抽象。パリで生まれた呼称が、後にアメリカで薄塗り・染み込みの絵画へも使われた。柔らかさと軽さを設計するときの参照点。","cues":["流れるような筆致","にじみと重なりの層","軽く透明な色","中心を持たない構成"],"intents":["静けさ","高揚","親密"],"works":["医療や福祉の資料、詩や室内楽の装丁で、手の跡を残しつつ軽さを保ちたいとき","パッケージや内装の大きな面を、企業的なグラデにも重い絵画調にもせずに埋めるとき"],"recipe":{"type":"細い文字を余白に浮かせ、色の層には重ねない","layout":"焦点を作らず、色を画面の外へ流れ出させる","material":"薄めた色を布に染み込ませ、輪郭を繊維に任せる"},"avoid":"色数を増やせば層が濁って透明さが失われ、中央に自信のある一筆を置けば画面がロゴになって、この様式の核である漂いが消える。","colors":["#f7f5d6","#e9401d","#232c62"],"motif":"graphic","pair":["art-informel","color-field-painting"],"study":["パリ派とアメリカ用法の違い","ステイニングの技法","1970年前後の展覧会"],"en":{"essence":"Abstraction that leans neither on geometric discipline nor on violent gesture, assembling a lyric out of flowing strokes and bleeding colour. The name was born in Paris and was later applied in America to thinly painted, stained canvases. A reference point whenever softness and lightness have to be designed.","cues":["Flowing brushwork","Layers of bleed and overlap","Light, transparent colour","Composition without a centre"],"works":["Covers for healthcare, poetry or chamber music where the mark stays handmade yet weightless","Large washes for packaging and interiors that avoid both the corporate gradient and the heavy painterly cliche"],"recipe":{"type":"A light-weight seriffed face set small at one corner, never crossing the centre of the wash.","layout":"An all-over, centreless field running past all four edges, offering the eye no anchor and no focal incident.","material":"Thinned colour on an absorbent ground, so the pigment spreads and the edge is decided by the substrate rather than by the hand."},"avoid":"Adding colours muddies the layers and loses the transparency, and one confident stroke in the middle turns the field into a logo, destroying the drift the style is made of.","study":["The difference between the Paris usage and the American one","The staining technique","The exhibitions around 1970"]},"links":{"page":"https://indexstyle.org/styles/lyrical-abstraction","json":"https://indexstyle.org/api/styles/lyrical-abstraction","designSpec":"https://indexstyle.org/styles/lyrical-abstraction/design.md","imagePrompt":"https://indexstyle.org/styles/lyrical-abstraction/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}