Lyrical Abstraction

リリカル・アブストラクション / 1947–1970s / Style / Gestural Abstraction

기하학의 규율에도 격렬한 몸짓에도 기대지 않고, 흐르는 붓질과 번지는 색으로 서정을 쌓아 올리는 추상. 파리에서 생겨난 명칭이 훗날 미국에서 얇게 칠하고 스며들게 하는 회화에도 쓰였다. 부드러움과 가벼움을 설계할 때의 참조점.

흐르는 듯한 붓질 / 번짐과 겹침의 층 / 가볍고 투명한 색 / 중심을 두지 않는 구성

사전 항목

적합한 용도: Covers and backgrounds where the mark must feel made by hand and weightless at once, as in poetry, chamber music or wellness · Large washes for packaging and interiors that need to avoid both the corporate mesh gradient and the heavy painterly cliche
타이포그래피: A light-weight seriffed face set small at one corner, never crossing the centre of the wash.
구성: An all-over, centreless field running past all four edges, offering the eye no anchor and no focal incident.
재료: Thinned colour on an absorbent ground, so the pigment spreads and the edge is decided by the substrate rather than by the hand.
주의: Placing one confident stroke in the middle: a centred gesture turns the field into a logo and destroys the drift the style is made of.
더 읽을거리: The difference between the Paris usage and the American one / The staining technique / The exhibitions around 1970