Constructivist Stage

構成主義舞台美術 / 1922–1930s / Style / Stage Design

Revolutionary Russia's style that discarded painted backdrops for a bare working machine on stage. The turning structure Popova built for The Magnanimous Cuckold remade stage design as working construction.

Constructivist Stage — Popova, set for The Magnanimous Cuckold 1922 — Wikimedia Commons / Public domain
Popova, set for The Magnanimous Cuckold 1922 — Wikimedia Commons / Public domain
Constructivist Stage — Constructivist stage set — Wikimedia Commons / Public domain
Constructivist stage set — Wikimedia Commons / Public domain
Constructivist Stage — Lyubov Popova, model of a stage set (St Petersburg State Museum of Theatre and Music) — Wikimedia Commons / CC BY-SA 4.0 · © Vaija
Lyubov Popova, model of a stage set (St Petersburg State Museum of Theatre and Music) — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0 · © Vaija

At a glance

Visual cues

  • Bare structures
  • Turning wheels and ramps
  • No backdrop
  • Biomechanics of the actor's body

Best used for

  • Stage sets the actors climb and operate, where the structure itself performs
  • Trade booths and concert rigs that show their function instead of hiding it

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Dictionary entry

Type
Stencil the lettering straight onto the structure, fitted to each panel
Composition
Leave the back empty and split the height into three working levels
Material
Raw timber and steel with wheels and pulleys left exposed
Caution
A static decorative tower called constructivist becomes a prop the actors cannot use, and the premise that the structure works disappears.
Further study
Lyubov Popova / Meyerhold's biomechanics / Stepanova's stage work

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