Bakst Stage Design

バクストの舞台美術 / 1909-1914 / Style / Stage Design

Sets and costumes rebuilt as a painter's single picture. Jewel-deep colors laid over one another, with swirling curves and orientalist pattern drawing the dancing body itself into the design.

Combinations of jewel deep color / Pattern laid over pattern in the costumes / Swirling Art Nouveau curves / Orientalist headdresses and loose trousers

Bakst, stage design for Les Orientales 1910 — Wikimedia Commons / Public domainBakst, costume design for Nijinsky 1912 — Wikimedia Commons / Public domainCostume design by Bakst — Wikimedia Commons / Public domain

Dictionary entry

Best used for
Setting design and costume first, as the leading element of a production · Making one performance an event remembered through its color
Type
Programme and curtain from the same hand, lettering matched to the sets
Composition
Treat the backdrop as flat pattern and let costume movement supply depth
Material
Saturated dyed fabric, gold and silver, oriental motifs at large scale
Caution
Adding colors and patterns without deciding the contrast between set and costume dissolves the dancer into the backdrop and the movement disappears.
Further study
Léon Bakst / Sergei Diaghilev / its influence on 1920s fashion

Related entries

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