Bauhaus Stage

バウハウスの舞台 / 1921–1929 / Style / Stage Design

Schlemmer's stage workshop turned the body into geometry. Spheres and cones in the Triadic Ballet costumes set the human figure dancing as a form in space, and performance art traces its origin to them.

Bauhaus Stage — Schlemmer, costumes for the Triadic Ballet — Wikimedia Commons / Public domain
Schlemmer, costumes for the Triadic Ballet — Wikimedia Commons / Public domain
Bauhaus Stage — Figurine from the Triadic Ballet — Wikimedia Commons / Public domain
Figurine from the Triadic Ballet — Wikimedia Commons / Public domain
Bauhaus Stage — Xanti Schawinsky, figures for The Two Gentlemen of Verona 1925 — Wikimedia Commons / CC BY-SA 4.0
Xanti Schawinsky, figures for The Two Gentlemen of Verona 1925 — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0

At a glance

Visual cues

  • Geometrized bodies
  • Costumes of spheres and cones
  • Three acts by color
  • Choreography as spatial figure

Best used for

  • Stage costume and dance direction that recasts the body as pure geometry
  • Exhibition or brand film about the relation between figures and moving bodies

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Dictionary entry

Type
Geometric sans only, sized by the ratio of circle to square
Composition
Think in plan and elevation, set positions on a drawn floor grid
Material
Spheres, cones and cylinders in primary color and metallic sheen
Caution
Gluing spheres and cones onto a costume without choreographing the body as a moving form leaves only a geometric fancy dress party.
Further study
Oskar Schlemmer / the Bauhaus stage workshop / restagings in contemporary performance

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