Concrete Poetry

具体詩/コンクリート・ポエトリー / 1950s–1970s / Layout / Experimental Typography

Treats the placement, repetition, blank space and sound of words as the poem itself, not only what they mean.

Concrete Poetry — Mallarmé, Un coup de dés jamais n'abolira le hasard, 1897 — Wikimedia Commons / Public domain
Mallarmé, Un coup de dés jamais n'abolira le hasard, 1897 — Wikimedia Commons / Public domain
Concrete Poetry — Concrete poem by Augusto de Campos (CC BY-SA 4.0) · © Vinicius Nacif
Concrete poem by Augusto de Campos (CC BY-SA 4.0) · CC BY-SA 4.0 · © Vinicius Nacif

At a glance

Visual cues

  • Repeated words
  • Shapes made of letters
  • Large blanks
  • Dismantled reading order

Best used for

  • Print pieces where a few words carry the reading speed and the pauses
  • Exhibitions and wall works that take language itself as the subject

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Dictionary entry

Type
One face at one size, emphasis from position and repetition only
Composition
Place words on a grid so reading can start from any direction
Material
White paper and one black ink, quality carried by register and margin
Caution
When making a shape comes first, the meaning of the words stops answering their position, and the piece is only letters poured into a picture.
Further study
Eugen Gomringer / Dieter Roth / Augusto de Campos

Related entries

Often confused with

More from Experimental Typography

Continue through styles in the same Experimental Typography family, prioritised by shared effects.

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Cite this entry

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Link
https://indexstyle.org/styles/concrete-poetry
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[Concrete Poetry — IndexStyle](https://indexstyle.org/styles/concrete-poetry)
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<a href="https://indexstyle.org/styles/concrete-poetry">Concrete Poetry — IndexStyle</a>

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