Concrete Poetry vs Swiss Punk Typography

具体詩/コンクリート・ポエトリー / スイス・パンク・タイポグラフィ

Both sit in Experimental Typography, so the question is not what they belong to but how they behave. One is layout and the other style. They are reached for with some of the same intent, which is where they get confused.

Concrete Poetry

Treats the placement, repetition, blank space and sound of words as the poem itself, not only what they mean.

Swiss Punk Typography

In Basel, the home of Swiss style, Weingart took the grid apart from the inside. Exploded letterspacing, stepped settings and layered film exposures turned rebellion within discipline into New Wave typography.

Concrete PoetrySwiss Punk Typography
Era1950s–1970s1970s–1980s
FamilyExperimental TypographyExperimental Typography
KindLayoutStyle
CuesRepeated words / Shapes made of letters / Large blanks / Dismantled reading orderThe grid dismantled / Exploding letterspacing / Stepped compositions / Layered-film textures
Best used forPrint pieces where a few words carry the reading speed and the pauses · Exhibitions and wall works that take language itself as the subjectAnnouncements for experimental music and art that show the discipline breaking · School and studio publications where the method itself is the subject
TypeOne face at one size, emphasis from position and repetition onlyLetterspacing opened in steps, one word repeated at several sizes
CompositionPlace words on a grid so reading can start from any directionKeep the grid visible while stepping the lines, measuring every offset
MaterialWhite paper and one black ink, quality carried by register and marginLayered exposures building halftone and reversal through the film
CautionWhen making a shape comes first, the meaning of the words stops answering their position, and the piece is only letters poured into a picture.Breaking a grid you never built leaves the offsets nothing to measure against, so the rebellion within discipline never happens and only mess remains.

IndexStyle