{"id":"concrete-poetry","no":88,"name":"Concrete Poetry","ja":"具体詩／コンクリート・ポエトリー","era":"1950s–1970s","family":"実験タイポグラフィ","kind":"レイアウト","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"MoMA — Dieter Roth: The Concrete","url":"https://www.moma.org/interactives/exhibitions/2013/dieter_roth/category_works/concrete/"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/interactives/exhibitions/2013/dieter_roth/category_works/concrete/","credit":"MoMA — Dieter Roth: The Concrete","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Un%20coup%20de%20d%C3%A9s%20jamais%20n'abolira%20le%20hasard.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Un%20coup%20de%20d%C3%A9s%20jamais%20n'abolira%20le%20hasard.png","credit":"マラルメ『骰子一擲』1897 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Concrete%20poem%20by%20Augusto%20de%20Campos.gif?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Concrete%20poem%20by%20Augusto%20de%20Campos.gif","credit":"アウグスト・デ・カンポスの具体詩（CC BY-SA 4.0）"}]},"essence":"言葉の意味だけでなく、文字の配置・反復・空白・音を詩そのものとして構成する。","cues":["語の反復","文字による形","大きな空白","読む順序の解体"],"intents":["反骨","静けさ","遊び"],"works":["短い語を主役にして、読む速度と間を設計したい印刷物のとき","言語そのものを主題にした展示や壁面を構成するとき"],"recipe":{"type":"一書体一サイズに絞り、意味ではなく配置と反復で強弱をつける","layout":"語を格子に置き、行として読ませず、どの方向からも入れるようにする","material":"白い紙と黒一色。刷りの精度と余白の広さで質を決める"},"avoid":"文章を図形へ押し込むだけにせず、意味・音・配置が互いに働く構造をつくる。","colors":["#f1eee5","#74716a","#151515"],"motif":"type","pair":["calligram","swiss-punk"],"study":["Eugen Gomringer","Dieter Roth","Augusto de Campos"],"en":{"essence":"Treats the placement, repetition, blank space and sound of words as the poem itself, not only what they mean.","cues":["Repeated words","Shapes made of letters","Large blanks","Dismantled reading order"],"works":["Print pieces where a few words carry the reading speed and the pauses","Exhibitions and wall works that take language itself as the subject"],"recipe":{"type":"One face at one size, emphasis from position and repetition only","layout":"Place words on a grid so reading can start from any direction","material":"White paper and one black ink, quality carried by register and margin"},"avoid":"When making a shape comes first, the meaning of the words stops answering their position, and the piece is only letters poured into a picture.","study":["Eugen Gomringer","Dieter Roth","Augusto de Campos"]},"links":{"page":"https://indexstyle.org/styles/concrete-poetry","json":"https://indexstyle.org/api/styles/concrete-poetry","designSpec":"https://indexstyle.org/styles/concrete-poetry/design.md","imagePrompt":"https://indexstyle.org/styles/concrete-poetry/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}