{"id":"concrete-poetry","no":104,"name":"Concrete Poetry","ja":"具体詩／コンクリート・ポエトリー","era":"1950s–1970s","family":"実験タイポグラフィ","kind":"レイアウト","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"MoMA — Dieter Roth: The Concrete","url":"https://www.moma.org/interactives/exhibitions/2013/dieter_roth/category_works/concrete/"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/interactives/exhibitions/2013/dieter_roth/category_works/concrete/","credit":"MoMA — Dieter Roth: The Concrete","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Un%20coup%20de%20d%C3%A9s%20jamais%20n'abolira%20le%20hasard.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Un%20coup%20de%20d%C3%A9s%20jamais%20n'abolira%20le%20hasard.png","credit":"マラルメ『骰子一擲』1897"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Concrete%20poem%20by%20Augusto%20de%20Campos.gif?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Concrete%20poem%20by%20Augusto%20de%20Campos.gif","credit":"アウグスト・デ・カンポスの具体詩（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Calligramme.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Calligramme.jpg","credit":"アポリネールのカリグラム"}]},"essence":"言葉の意味だけでなく、文字の配置・反復・空白・音を詩そのものとして構成する。","cues":["語の反復","文字による形","大きな空白","読む順序の解体"],"intents":["反骨","静けさ","遊び"],"works":["歴史的な作例と成立条件を比較する","現代の媒体へ移す際に残す原理を見極める"],"recipe":{"type":"参照作品の文字と画面構成を観察する","layout":"視線を導く主要原理を一つ抽出する","material":"技法固有の素材・工程・支持体を確認する"},"avoid":"文章を図形へ押し込むだけにせず、意味・音・配置が互いに働く構造をつくる。","colors":["#f1eee5","#74716a","#151515"],"motif":"type","pair":["calligram","experimental-type"],"study":["Eugen Gomringer","Dieter Roth","Augusto de Campos"],"en":{"essence":"Composes not just the meaning of words but their placement, repetition, blank space and sound as the poem itself.","cues":["Repeated words","Shapes made of letters","Large blanks","Dismantled reading order"],"works":["Comparing historical works and their conditions","Deciding which principles survive translation to today's media"],"recipe":{"type":"Observe the type and composition of reference works","layout":"Extract the one principle that steers the eye","material":"Verify the technique's own materials, process and support"},"avoid":"Don't press text into a shape. Build a structure where meaning, sound and placement act on each other.","study":["Eugen Gomringer","Dieter Roth","Augusto de Campos"]}}