Photorealism
フォトリアリズム / 1968–1980s / Style / Postwar American Art
将照片原样移植进绘画，用手工复现机械之眼所捕捉的信息量的运动。橱窗的反光、铬件的扭曲、餐馆的霓虹等题材，连同照片特有的对焦、颗粒与色差一并被定影在画布上。画的不是“眼见之物”，而是“照片如此拍下”这件事。
源自照片的反光与高光 / 原样描绘景深 / 都市中的商业性题材 / 抹去笔触的平滑表面
辞典词条
- 适用场景
- Product imagery of chrome, glass and liquid that must read as photographed rather than illustrated, where a rendering has to acquire lens behaviour to be believed；Editorial and campaign work about consumer culture, where the gloss on the surface is itself the argument
- 字体
- A neutral grotesque set small and cold, used as caption rather than headline so the image keeps all the voltage.
- 版面
- One frontal image cropped so the principal reflection falls at the optical centre, with type confined to a single band at the edge.
- 材料
- High-gloss stock or an untextured screen, ink laid perfectly smooth so no substrate grain competes with the photographic grain inside the image.
- 注意
- Cleaning up the lens artefacts: polish out the focus fall-off, the grain and the fringing and the picture stops reading as a photograph made by hand, leaving airless illustration.
- 延伸阅读
- Airbrush technique and grid transfer / The presentation at documenta 5 in 1972 / The role of the photograph as an intermediary term