{"id":"photorealism","no":439,"name":"Photorealism","ja":"フォトリアリズム","era":"1968–1980s","family":"戦後アメリカ美術","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Photorealism","url":"https://www.tate.org.uk/art/art-terms/p/photorealism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/p/photorealism","credit":"Tate — Art Terms: Photorealism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ralph%20Goings%20-%20Sacramento%20Airport.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ralph%20Goings%20-%20Sacramento%20Airport.jpg","credit":"Ralph Goings《サクラメント空港》— Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/John's%20Diner%20by%20John%20Baeder.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:John's%20Diner%20by%20John%20Baeder.jpg","credit":"ジョン・ベーダー《John's Diner with John's Chevelle》2007年 — Wikimedia Commons / CC BY-SA 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/American%20Landscape.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:American%20Landscape.jpg","credit":"ヤン・アンダース・ネルソン《American Landscape》1975〜1976年 — Wikimedia Commons / CC BY 4.0"}]},"essence":"写真をそのまま絵画へ移し替え、機械の眼が捉えた情報量を手で再現する運動。ショーウィンドウの反射、クロームの歪み、ダイナーのネオンといった被写体が、写真特有のピント・粒状・色収差ごと画布に定着される。「見たまま」ではなく「写真がそう写した」ことを描く。","cues":["写真由来の反射とハイライト","被写界深度をそのまま描く","都市の商業的な被写体","筆跡を消した平滑な表面"],"intents":["技術","未来","信頼"],"works":["自動車や時計の広告で、金属と硝子の反射そのものを主役に据えるとき","都市や消費文化を扱う記録集や特集で、機械の眼が捉えた情報量をそのまま保つとき"],"recipe":{"type":"文字は看板や標識として画面内に置き、外から重ねない","layout":"写真の切り取りをそのまま使い、構図を整え直さない","material":"筆跡を消した平滑な面に粒状と色収差を描き込み、支持体の地は出さない"},"avoid":"写真の癖を消して均一に整えると、機械の眼という前提が失われ、ただ精密なだけの絵に落ちる。","colors":["#c8d2d8","#008cd3","#0e1316"],"motif":"graphic","pair":["pop-art","tableau-photography"],"study":["エアブラシとグリッド転写の技法","1972年ドクメンタ5での提示","写真という中間項の役割"],"en":{"essence":"A movement that transfers the photograph itself onto the canvas, rebuilding by hand the quantity of information a mechanical eye records. Shop-window reflections, the warp of chrome, diner neon: the subject is fixed on the surface together with the photograph's own focus, grain and chromatic fringing. What is painted is not what was seen but the fact that a camera saw it that way.","cues":["Reflections and highlights taken from the photograph","Depth of field painted exactly as the lens gave it","Commercial subjects drawn from the city","A smooth surface with every brushmark erased"],"works":["Advertising for cars and watches where the reflections in chrome and glass are the subject","Books and features on the city and consumer culture that keep the information a mechanical eye records"],"recipe":{"type":"Let lettering appear inside the frame as signage, never laid over the image from outside","layout":"Keep the photograph's own crop and do not recompose the frame","material":"Paint grain and fringing into a surface smoothed of every brushmark, letting no substrate texture show"},"avoid":"Cleaning up the lens artefacts: polish out the focus fall-off, the grain and the fringing and the picture stops reading as a photograph made by hand, leaving airless illustration.","study":["Airbrush technique and grid transfer","The presentation at documenta 5 in 1972","The role of the photograph as an intermediary term"]},"links":{"page":"https://indexstyle.org/styles/photorealism","json":"https://indexstyle.org/api/styles/photorealism","designSpec":"https://indexstyle.org/styles/photorealism/design.md","imagePrompt":"https://indexstyle.org/styles/photorealism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}