Neo-Dada
ネオ・ダダ / 1953–1965 / Style / Postwar American Art
针对抽象表现主义的内向性，把日用品、印刷品与剥制标本带入画面，试图在艺术与生活的缝隙中创作的战后潮流。它承继达达的手法，又把消费社会的材料本身当作构成材料。这是紧接波普艺术之前的分岔点。
把现成品带入画面 / 印刷品的丝网转印 / 介于绘画与立体之间的形态 / 涂抹、叠加与弄脏的痕迹
辞典词条
- 适用场景
- Record sleeves, zines and event graphics that need to look assembled out of the world rather than designed from nothing；Campaigns built from found print, where the receipts, newsprint and packaging keep their own history as part of the message
- 字体
- Mixed sizes and mixed faces from whatever was to hand, some stencilled, some torn out of existing print.
- 版面
- No grid: a horizontal collage in which one three-dimensional object breaks the picture plane and pulls the eye off axis.
- 材料
- Silkscreened newsprint over smeared paint, registration deliberately out, erasures left visible.
- 注意
- Arranging the found material tidily: Neo-Dada depends on objects keeping their own dirt and their own scale, and a neat collage of clean assets is only decoration.
- 延伸阅读
- The definition of the Combine painting / Japan's Neo-Dadaism Organizers / Its proximity to Fluxus