Novecento Italiano
ノヴェチェント・イタリアーノ / 1922–1943 / Style / Figurative Painting
在前卫解体之后，试图回归意大利古典的体量与静谧的运动。经过单纯化的坚实人体、克制的土色、正面性强烈的构图，成为两次大战之间公共建筑与壁画的语汇。它是“回归秩序”的代表例，也必须连同它与体制的接近一并阅读。
经过单纯化的坚实人体 / 正面性强烈的构图 / 克制的土色设色 / 令人联想到古典雕塑的体量
辞典词条
- 适用场景
- Institutional identity that wants gravity without ornament, for museums, foundations and civic bodies, provided the political reading is faced rather than ignored；Figurative illustration and sculpture-led art direction in which weight and calm matter more than movement
- 字体
- Roman capitals cut to classical proportion and spaced as though incised, aligned to the axis of the figure.
- 版面
- Frontal and symmetrical, the figure centred and cut at the knee, the ground a plain plane with no incident.
- 材料
- Fresco-like matte surfaces in ochre, terracotta and stone grey, lit so that mass is modelled and almost nothing casts a shadow.
- 注意
- Taking the monumental frontality as neutral good taste: the same devices were built to speak for a state, and used without that awareness the work carries an argument its author did not intend.
- 延伸阅读
- Margherita Sarfatti's leadership / The context of the return to order / Its extension into public murals