Novecento Italiano

ノヴェチェント・イタリアーノ / 1922–1943 / Style / Figurative Painting

Movimiento que, tras la disolución de las vanguardias, quiso volver al volumen y a la calma del clasicismo italiano. Cuerpos simplificados y robustos, tierras contenidas y composiciones marcadamente frontales pasaron a ser el vocabulario de la arquitectura pública y del mural de entreguerras. Ejemplo mayor del «retorno al orden», que debe leerse también por su proximidad al régimen.

Cuerpos simplificados y robustos / Composiciones marcadamente frontales / Colorido de tierras contenidas / Volúmenes que evocan la escultura clásica

Mario Sironi《コンポジション(人物のある構成)》— Fondazione Cariplo / CC BY-SA 3.0Mario Sironi《コンポジション》— Wikimedia Commons / CC BY-SA 4.0Mario Sironi《芸術と科学のあいだのイタリア》— Wikimedia Commons / CC BY-SA 4.0

Entrada del diccionario

Usos idóneos
Institutional identity that wants gravity without ornament, for museums, foundations and civic bodies, provided the political reading is faced rather than ignored · Figurative illustration and sculpture-led art direction in which weight and calm matter more than movement
Tipografía
Roman capitals cut to classical proportion and spaced as though incised, aligned to the axis of the figure.
Composición
Frontal and symmetrical, the figure centred and cut at the knee, the ground a plain plane with no incident.
Material
Fresco-like matte surfaces in ochre, terracotta and stone grey, lit so that mass is modelled and almost nothing casts a shadow.
Precaución
Taking the monumental frontality as neutral good taste: the same devices were built to speak for a state, and used without that awareness the work carries an argument its author did not intend.
Para profundizar
Margherita Sarfatti's leadership / The context of the return to order / Its extension into public murals

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