Nouveau Réalisme
ヌーヴォー・レアリスム / 1960–1970 / Style / Postwar European Art
1960年在巴黎宣告“直接攫取现实”的团体。撕下的海报层、压缩的车身、堆积的垃圾，不经描绘便让都市本身成为作品。不加工而只是选取材料的态度，为此后的集合艺术奠定了前提。
被撕下的海报层 / 同一物件的集积 / 被压缩的工业制品 / 不加工的材料选择
辞典词条
- 适用场景
- Urban and cultural posters that take fly-posted, weathered layers as their actual language rather than as a filter；Retail and exhibition display built from massed identical units, where the accumulation is the graphic device
- 字体
- Fragments of existing typography, whatever survives the tear, rather than a face chosen for the job.
- 版面
- A full-bleed field of layered material with no hierarchy, anchored by one compressed or accumulated mass in the lower half.
- 材料
- Real paper on real paper: paste it, tear it, expose the layers beneath, and let the physical edge do the drawing.
- 注意
- Simulating the torn poster with a distress filter: the movement's entire claim is that the material was taken and not made, and a synthetic tear reverses it.
- 延伸阅读
- The 1960 manifesto and its signatories / The technique of décollage / Comparison with American Pop