Nouveau Réalisme
ヌーヴォー・レアリスム / 1960–1970 / Style / Postwar European Art
1960년 파리에서 ‘현실의 직접적인 획득’을 선언한 집단. 뜯어낸 포스터의 층, 압축한 차체, 집적된 쓰레기가 묘사를 거치지 않고 도시 자체를 작품으로 만든다. 재료를 가공하지 않고 골라낸다는 태도가 이후 아상블라주의 전제를 만들었다.
뜯겨나간 포스터의 층 / 같은 사물의 집적 / 압축된 공업 제품 / 가공하지 않은 재료의 선택
사전 항목
- 적합한 용도
- Urban and cultural posters that take fly-posted, weathered layers as their actual language rather than as a filter · Retail and exhibition display built from massed identical units, where the accumulation is the graphic device
- 타이포그래피
- Fragments of existing typography, whatever survives the tear, rather than a face chosen for the job.
- 구성
- A full-bleed field of layered material with no hierarchy, anchored by one compressed or accumulated mass in the lower half.
- 재료
- Real paper on real paper: paste it, tear it, expose the layers beneath, and let the physical edge do the drawing.
- 주의
- Simulating the torn poster with a distress filter: the movement's entire claim is that the material was taken and not made, and a synthetic tear reverses it.
- 더 읽을거리
- The 1960 manifesto and its signatories / The technique of décollage / Comparison with American Pop