{"id":"cubism","no":418,"name":"Cubism","ja":"キュビスム","era":"1907–1925","family":"前衛","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Cubism","url":"https://www.tate.org.uk/art/art-terms/c/cubism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/c/cubism","credit":"Tate — Art Terms: Cubism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Juan%20Gris%20-%20Still%20Life%20with%20a%20Guitar.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Juan%20Gris%20-%20Still%20Life%20with%20a%20Guitar.jpg","credit":"Juan Gris《ギターのある静物》1913 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Juan%20Gris%20-%20Violon%20et%20journal.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Juan%20Gris%20-%20Violon%20et%20journal.jpg","credit":"Juan Gris《ヴァイオリンと新聞》— Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Albert%20Gleizes%2C%201912-13%2C%20Les%20Joueurs%20de%20football%20(Football%20Players)%2C%20oil%20on%20canvas%2C%20225.4%20x%20183%20cm%2C%20National%20Gallery%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Albert%20Gleizes%2C%201912-13%2C%20Les%20Joueurs%20de%20football%20(Football%20Players)%2C%20oil%20on%20canvas%2C%20225.4%20x%20183%20cm%2C%20National%20Gallery%20of%20Art.jpg","credit":"Albert Gleizes《フットボールの選手たち》1912–13, National Gallery of Art — Wikimedia Commons / Public domain"}]},"essence":"対象を単一の視点から解放し、複数の視点で見た面を同一平面上に再構成する絵画革命。分析的段階の砕けた面と抑えた色、総合的段階の新聞紙コラージュと文字の導入が、20世紀のグラフィックデザインに「画面は現実の窓ではなく構成の場である」という前提を与えた。","cues":["多視点の同時提示","面へ分解された対象","抑えた土色とグレーの階調","新聞紙とレタリングのコラージュ"],"intents":["反骨","技術","信頼"],"works":["一枚で複数の面や工程を同時に見せる図版や表紙を作るとき","写真では収まらない対象を、分解して構成として示すとき"],"recipe":{"type":"総合的段階に倣い、詰まったグロテスクや型抜き文字を紙片として貼り込む","layout":"対象を面に割り、視点の違う断片を同じ平面に並べる","material":"土色と灰の狭い色域に絞り、新聞紙や木目紙を混ぜる"},"avoid":"面を割ること自体が目的になると、何を描いているか読めず、造形の手癖だけが並ぶ画面になる。","colors":["#cbc7b3","#a76519","#151616"],"motif":"graphic","pair":["italian-futurism","constructivism"],"study":["分析的キュビスムと総合的キュビスムの差","パピエ・コレと活字の導入","ピュリスムとオルフィスムへの分岐"],"en":{"essence":"A pictorial revolution that freed the subject from a single viewpoint, reassembling facets seen from multiple angles on one flat plane. The fractured planes and muted palette of the Analytic phase, then the newspaper collage and lettering of the Synthetic phase, gave twentieth-century graphic design its founding premise: the picture is not a window onto reality but a field of construction.","cues":["Multiple viewpoints presented at once","Subjects broken down into facets","Muted earth tones and grey gradations","Collage of newsprint and lettering"],"works":["Diagrams and covers that must show several faces or stages at once","Subjects a photograph cannot hold, shown taken apart and rebuilt as construction"],"recipe":{"type":"Echo the Synthetic phase, cutting compact grotesques and stencil capitals as pasted paper","layout":"Break the subject into planes and set fragments from different viewpoints on one surface","material":"A narrow range of ochre, umber and grey with newsprint and woodgrain paper"},"avoid":"Avoid fragmenting for decoration alone—if the planes no longer describe the subject from real viewpoints, the result reads as random shattering, not Cubism.","study":["The difference between Analytic and Synthetic Cubism","Papier collé and the introduction of type","The branching into Purism and Orphism"]},"links":{"page":"https://indexstyle.org/styles/cubism","json":"https://indexstyle.org/api/styles/cubism","designSpec":"https://indexstyle.org/styles/cubism/design.md","imagePrompt":"https://indexstyle.org/styles/cubism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}