Yamato-e

やまと絵 / Heian period onward / Style / East Asian Painting

A Japanese painting tradition concerned with stories, local scenery and the seasons, developed from the Heian period. Colour fields, cloud bands and roofless views organise narrative space. It extends across scrolls, screens and doors; its scope differs from Rinpa, ukiyo-e and modern Nihonga.

Yamato-e — Unidentified artist, The Tale of Genji Illustrated Scroll, Azumaya, 12th century — Tokugawa Art Museum — Wikimedia Commons / Public domain
Unidentified artist, The Tale of Genji Illustrated Scroll, Azumaya, 12th century — Tokugawa Art Museum — Wikimedia Commons / Public domain
Yamato-e — Unidentified artist, Tale of Genji, mid-17th century — Chester Beatty, J 1038.1 — Wikimedia Commons / Public domain
Unidentified artist, Tale of Genji, mid-17th century — Chester Beatty, J 1038.1 — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Scenes tied to literature, places and seasons
  • Colour fields and clouds divide space
  • Roofs removed to reveal interiors from above
  • Figures and buildings carry narrative time

Best used for

  • Explaining narrative order through the formats of Japanese scrolls and screens
  • Comparing how interiors, clouds and figures organise scenes in a publication

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Dictionary entry

Type
Separate story text from scene labels and indicate the reading order.
Composition
Use clouds and buildings to divide scenes while keeping the viewpoint and figure positions coherent.
Material
Test opaque colour, outlines and the paper or silk ground separately; record gilding by individual work.
Caution
Do not use the term for all Japanese pictures. Roofless architecture and stylised faces are not present in every example; check subject, format and date together.
Further study
The Met — Yamato-e Painting / Genji scenes, cloud bands and fukinuki yatai / Chester Beatty — Tale of Genji paintings

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