Rinpa

琳派 / early 17th century– / Style / East Asian Painting

Gold and silver grounds, mineral pigment, simplified nature, empty space, repetition and tarashikomi run across its work, pulling painting, craft and calligraphy into one bold, flat composition.

Rinpa — Tawaraya Sōtatsu, Fūjin Raijin-zu byōbu (Wind and Thunder Gods), 17th century — Wikimedia Commons / Public domain
Tawaraya Sōtatsu, Fūjin Raijin-zu byōbu (Wind and Thunder Gods), 17th century — Wikimedia Commons / Public domain
Rinpa — Ogata Kōrin, Kakitsubata-zu byōbu (Irises), 18th century — Wikimedia Commons / Public domain
Ogata Kōrin, Kakitsubata-zu byōbu (Irises), 18th century — Wikimedia Commons / Public domain
Rinpa — Ogata Kōrin, Kōhakubai-zu byōbu (Red and White Plum Blossoms) — Wikimedia Commons / Public domain
Ogata Kōrin, Kōhakubai-zu byōbu (Red and White Plum Blossoms) — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Gold and silver grounds
  • Boldly abbreviated nature
  • Repetition and emptiness
  • Tarashikomi pooling

Best used for

  • Luxury packaging for seasonal confectionery and sake, where the motif carries the season
  • Large flat decorative walls for restaurant and hotel interiors that hold the eye

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Dictionary entry

Type
Treat letters as part of the picture and scatter them across the void
Composition
Push the motif to one edge and leave the gold center empty
Material
Foil gold and silver, opaque mineral color, pooled tarashikomi bleeds
Caution
Assuming that flowers on gold make rinpa kills the tension that emptiness and abbreviation create. Check the literary quotation, calligraphy, craft media and the lineage of masters followed across generations.
Further study
Hon'ami Kōetsu / Tawaraya Sōtatsu / Ogata Kōrin / Kamisaka Sekka

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Cite this entry

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Link
https://indexstyle.org/styles/rinpa
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[Rinpa — IndexStyle](https://indexstyle.org/styles/rinpa)
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