Video Synthesis
ビデオ・シンセシス / 1969– / Technique / Experimental Film
Generating and modulating the video signal itself like an instrument. Nam June Paik and Shuya Abe's synthesizer turned the television from receiver into raw material, opening video art's technical ground.
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At a glance
Visual cues
- Modulated signal
- Feedback vortices
- Waveforms made visible
- Television sets repurposed
Best used for
- Live stage visuals generated in time with the performance itself
- Work that uses the signal as its material instead of recorded footage
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Dictionary entry
- Type
- Distort letters as signal, moving between legible and collapsed
- Composition
- Symmetrical feedback around the center, vortex speed setting composition
- Material
- Color from oscillator waveforms, layers from camera and monitor recursion
- Caution
- Stopping the moment feedback throws up a pretty accident, then stringing accidents together without learning which control produces which image.
- Further study
- the Paik-Abe video synthesizer / Steina and Woody Vasulka / modular video synthesis today
Related entries
- Scanimate (スキャニメイト)Shared effects: Technique.Compare Video Synthesis and Scanimate
- Glitch (グリッチ)Shared effects: Rebellion / Technique.Compare Video Synthesis and Glitch
More from Experimental Film
Continue through styles in the same Experimental Film family, prioritised by shared effects.
- Direct Animation (ダイレクト・アニメーション)Shared effects: Rebellion / Play.
- Guerrilla Television (ゲリラ・テレビジョン)Shared effects: Rebellion / Technique.
- Visual Music (ヴィジュアル・ミュージック)Shared effects: Technique.
Browse all Experimental Film entries
Cite this entry
The dictionary is meant to be linked to. Take whichever form fits where you are writing.
- Link
- https://indexstyle.org/styles/video-synthesis
- Markdown
- [Video Synthesis — IndexStyle](https://indexstyle.org/styles/video-synthesis)
- HTML
- <a href="https://indexstyle.org/styles/video-synthesis">Video Synthesis — IndexStyle</a>