{"id":"video-synthesis","no":236,"name":"Video Synthesis","ja":"ビデオ・シンセシス","era":"1969–","family":"映像芸術","kind":"技法","collection":"Dictionary expansion 11","addedAt":"2026-08-18","source":{"title":"Smithsonian American Art Museum — Nam June Paik","url":"https://americanart.si.edu/artist/nam-june-paik-3670"},"reference":{"status":"verified","pageUrl":"https://americanart.si.edu/artist/nam-june-paik-3670","credit":"Smithsonian American Art Museum — Nam June Paik","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/TV%20Cello%20(1966).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:TV%20Cello%20(1966).jpg","credit":"ナムジュン・パイク『TV Cello』（CC BY 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Korea-Nam%20June%20Paik-One%20hundread-and-eight%20Tourments.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Korea-Nam%20June%20Paik-One%20hundread-and-eight%20Tourments.jpg","credit":"パイクのビデオ・インスタレーション（CC BY 3.0）"}]},"essence":"映像信号そのものを楽器のように生成・変調する実践。ナムジュン・パイクと阿部修也のシンセサイザーがテレビを受像機から素材へ変え、ビデオアートの技術的基盤を開いた。","cues":["信号の変調","フィードバックの渦","波形の可視化","テレビ受像機の転用"],"intents":["反骨","技術","遊び"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"motion","pair":["scanimate","glitch"],"study":["パイク＝阿部ビデオ・シンセサイザー","スタイナ＆ウッディ・ヴァスルカ","モジュラービデオシンセの現在"],"en":{"essence":"Generating and modulating the video signal itself like an instrument. Nam June Paik and Shuya Abe's synthesizer turned the television from receiver into raw material, opening video art's technical ground.","cues":["Modulated signal","Feedback vortices","Waveforms made visible","Television sets repurposed"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["the Paik-Abe video synthesizer","Steina and Woody Vasulka","modular video synthesis today"]}}