{"id":"video-synthesis","no":207,"name":"Video Synthesis","ja":"ビデオ・シンセシス","era":"1969–","family":"実験映画","kind":"技法","collection":"Dictionary expansion 11","addedAt":"2026-08-18","source":{"title":"Smithsonian American Art Museum — Nam June Paik","url":"https://americanart.si.edu/artist/nam-june-paik-3670"},"reference":{"status":"verified","pageUrl":"https://americanart.si.edu/artist/nam-june-paik-3670","credit":"Smithsonian American Art Museum — Nam June Paik","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/TV%20Cello%20(1966).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:TV%20Cello%20(1966).jpg","credit":"ナムジュン・パイク『TV Cello』（CC BY 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Korea-Nam%20June%20Paik-One%20hundread-and-eight%20Tourments.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Korea-Nam%20June%20Paik-One%20hundread-and-eight%20Tourments.jpg","credit":"パイクのビデオ・インスタレーション（CC BY 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Sandin%20Image%20Processor.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Sandin%20Image%20Processor.jpg","credit":"サンディン・イメージ・プロセッサー（シカゴ美術館附属美術大学での展示） — Wikimedia Commons / CC BY 2.0"}]},"essence":"映像信号そのものを楽器のように生成・変調する実践。ナムジュン・パイクと阿部修也のシンセサイザーがテレビを受像機から素材へ変え、ビデオアートの技術的基盤を開いた。","cues":["信号の変調","フィードバックの渦","波形の可視化","テレビ受像機の転用"],"intents":["反骨","技術","遊び"],"works":["演奏に合わせて映像を生成する、ライブの舞台美術をつくるとき","録画素材に頼らず、信号そのものを作品の素材として扱うとき"],"recipe":{"type":"文字を信号として歪ませ、読める状態と崩れる状態を往復する","layout":"中心対称のフィードバックを軸に、渦の速度で構図を決める","material":"発振器の波形で色をつくり、撮影と表示の再帰で層を足す"},"avoid":"フィードバックを回して偶然よい絵が出た時点で止め、どの操作がどの像を生むか掴まないまま並べる。","colors":["#15eed0","#289b9c","#050608"],"motif":"motion","pair":["scanimate","glitch"],"study":["パイク＝阿部ビデオ・シンセサイザー","スタイナ＆ウッディ・ヴァスルカ","モジュラービデオシンセの現在"],"en":{"essence":"Generating and modulating the video signal itself like an instrument. Nam June Paik and Shuya Abe's synthesizer turned the television from receiver into raw material, opening video art's technical ground.","cues":["Modulated signal","Feedback vortices","Waveforms made visible","Television sets repurposed"],"works":["Live stage visuals generated in time with the performance itself","Work that uses the signal as its material instead of recorded footage"],"recipe":{"type":"Distort letters as signal, moving between legible and collapsed","layout":"Symmetrical feedback around the center, vortex speed setting composition","material":"Color from oscillator waveforms, layers from camera and monitor recursion"},"avoid":"Stopping the moment feedback throws up a pretty accident, then stringing accidents together without learning which control produces which image.","study":["the Paik-Abe video synthesizer","Steina and Woody Vasulka","modular video synthesis today"]},"links":{"page":"https://indexstyle.org/styles/video-synthesis","json":"https://indexstyle.org/api/styles/video-synthesis","designSpec":"https://indexstyle.org/styles/video-synthesis/design.md","imagePrompt":"https://indexstyle.org/styles/video-synthesis/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}