{"id":"bauhaus-stage","no":274,"name":"Bauhaus Stage","ja":"バウハウスの舞台","era":"1921–1929","family":"舞台美術","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"Staatsgalerie Stuttgart — 100 Years of Triadic Ballet","url":"https://www.staatsgalerie.de/en/exhibitions/archive/moved-by-schlemmer-100-years-of-triadic-ballet"},"reference":{"status":"verified","pageUrl":"https://www.staatsgalerie.de/en/exhibitions/archive/moved-by-schlemmer-100-years-of-triadic-ballet","credit":"Staatsgalerie Stuttgart — 100 Years of Triadic Ballet","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Oskar%20Schlemmer%20Triadisches%20Ballett%20100.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Oskar%20Schlemmer%20Triadisches%20Ballett%20100.jpg","credit":"シュレンマー『トリアディック・バレエ』衣裳"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Oskar%20Schlemmer%20Triadisches%20Ballett%20400.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Oskar%20Schlemmer%20Triadisches%20Ballett%20400.jpg","credit":"『トリアディック・バレエ』の figurine"}]},"essence":"シュレンマーの舞台工房が身体を幾何学へ変換した実験。『トリアディック・バレエ』の球と円錐の衣裳が、人間を空間の中の形態として踊らせ、パフォーマンス美術の原点になった。","cues":["幾何学化された身体","球と円錐の衣裳","色彩による三部構成","空間図形としての振付"],"intents":["遊び","未来","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"display","pair":["bauhaus","constructivist-stage"],"study":["オスカー・シュレンマー","バウハウス舞台工房","現代パフォーマンスへの再演"],"en":{"essence":"Schlemmer's stage workshop translated the body into geometry. The spheres and cones of the Triadic Ballet costumes made the human dance as a form in space — the origin point of performance art.","cues":["Geometrized bodies","Costumes of spheres and cones","Three acts by color","Choreography as spatial figure"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Oskar Schlemmer","the Bauhaus stage workshop","restagings in contemporary performance"]}}