{"id":"bauhaus-stage","no":244,"name":"Bauhaus Stage","ja":"バウハウスの舞台","era":"1921–1929","family":"舞台美術","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"Staatsgalerie Stuttgart — 100 Years of Triadic Ballet","url":"https://www.staatsgalerie.de/en/exhibitions/archive/moved-by-schlemmer-100-years-of-triadic-ballet"},"reference":{"status":"verified","pageUrl":"https://www.staatsgalerie.de/en/exhibitions/archive/moved-by-schlemmer-100-years-of-triadic-ballet","credit":"Staatsgalerie Stuttgart — 100 Years of Triadic Ballet","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Oskar%20Schlemmer%20Triadisches%20Ballett%20100.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Oskar%20Schlemmer%20Triadisches%20Ballett%20100.jpg","credit":"シュレンマー『トリアディック・バレエ』衣裳 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Oskar%20Schlemmer%20Triadisches%20Ballett%20400.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Oskar%20Schlemmer%20Triadisches%20Ballett%20400.jpg","credit":"『トリアディック・バレエ』の figurine — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Xanti%20Schawinsky%20R%C3%A4uberballett%20Die%20beiden%20Veroneser%201925.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Xanti%20Schawinsky%20R%C3%A4uberballett%20Die%20beiden%20Veroneser%201925.jpg","credit":"クサンティ・シャヴィンスキー《ヴェローナの二紳士》のための人形 1925 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"シュレンマーの舞台工房が身体を幾何学へ変換した実験。『トリアディック・バレエ』の球と円錐の衣裳が、人間を空間の中の形態として踊らせ、パフォーマンス美術の原点になった。","cues":["幾何学化された身体","球と円錐の衣裳","色彩による三部構成","空間図形としての振付"],"intents":["遊び","未来","技術"],"works":["人体を幾何形態に置き換える舞台衣裳とダンス公演の演出","図形と身体の関係を主題にする企業展示やブランド映像の設計"],"recipe":{"type":"文字は幾何サンセリフに限り、円と方形の比で大きさを決める","layout":"俯瞰と正面の二視点で考え、床にグリッドを引いて立ち位置を出す","material":"球と円錐と円筒の量塊を、原色と金属光沢で立体化する"},"avoid":"球や円錐を衣裳に貼るだけでは、身体が形態として動く原理が抜け落ち、幾何学の仮装大会に終わる。","colors":["#ededeb","#f0c419","#212022"],"motif":"display","pair":["bauhaus","constructivist-stage"],"study":["オスカー・シュレンマー","バウハウス舞台工房","現代パフォーマンスへの再演"],"en":{"essence":"Schlemmer's stage workshop turned the body into geometry. Spheres and cones in the Triadic Ballet costumes set the human figure dancing as a form in space, and performance art traces its origin to them.","cues":["Geometrized bodies","Costumes of spheres and cones","Three acts by color","Choreography as spatial figure"],"works":["Stage costume and dance direction that recasts the body as pure geometry","Exhibition or brand film about the relation between figures and moving bodies"],"recipe":{"type":"Geometric sans only, sized by the ratio of circle to square","layout":"Think in plan and elevation, set positions on a drawn floor grid","material":"Spheres, cones and cylinders in primary color and metallic sheen"},"avoid":"Gluing spheres and cones onto a costume without choreographing the body as a moving form leaves only a geometric fancy dress party.","study":["Oskar Schlemmer","the Bauhaus stage workshop","restagings in contemporary performance"]},"links":{"page":"https://indexstyle.org/styles/bauhaus-stage","json":"https://indexstyle.org/api/styles/bauhaus-stage","designSpec":"https://indexstyle.org/styles/bauhaus-stage/design.md","imagePrompt":"https://indexstyle.org/styles/bauhaus-stage/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}