Arte Povera

アルテ・ポーヴェラ / 1967–1970s / Style / Italian Avant-garde

Takes up earth, branches, cloth, stone, fire and metal, materials that are neither precious nor stable, and uses them to intervene in the commodification of art and the values of industrial society.

Arte Povera — Mario Merz, igloo — Wikimedia Commons / Public domain
Mario Merz, igloo — Wikimedia Commons / Public domain
Arte Povera — Jannis Kounellis exhibition (CC BY-SA 4.0) · © Sp!ros
Jannis Kounellis exhibition (CC BY-SA 4.0) · CC BY-SA 4.0 · © Sp!ros
Arte Povera — ミケランジェロ・ピストレット《ぼろ布のヴィーナス》ナポリ — Wikimedia Commons / CC BY-SA 4.0 · © Lollinaa
ミケランジェロ・ピストレット《ぼろ布のヴィーナス》ナポリ — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0 · © Lollinaa

At a glance

Visual cues

  • Non-precious materials
  • Change and decay
  • Nature against industry
  • Bare assembly

Best used for

  • Installations where the material changing over time is written into the plan.
  • Spaces that put an industrial product beside a natural one and make the gap the subject.

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Dictionary entry

Type
Let the title be a list of the materials, with no metaphor added.
Composition
Set the work on the floor and refuse the plinth and the spotlight.
Material
Earth, wax, cloth, metal and living plants, worked as little as possible.
Caution
Do not reduce this to the mood of aged materials, and keep its critique of value, time, labor and institution. Over conditioning the display turns the work into an unchanging specimen.
Further study
Germano Celant / Mario Merz / Marisa Merz / Jannis Kounellis

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