Conceptual Art

コンセプチュアル・アート / mid-1960s–1970s / Style / Postwar American Art

Puts the idea at the center of the work and presents it through words, definitions, rules, documentation and placement, caring little for finish as an object.

Conceptual Art — Kosuth, One and Three Chairs, installation view(CC BY 2.0) · © Gautier Poupeau
Kosuth, One and Three Chairs, installation view(CC BY 2.0) · CC BY 2.0 · © Gautier Poupeau
Conceptual Art — Kosuth, Neon 1965(CC BY-SA 2.0) · © Florent Darrault from Paris, France
Kosuth, Neon 1965(CC BY-SA 2.0) · CC BY-SA 2.0 · © Florent Darrault from Paris, France
Conceptual Art — ローレンス・ウェイナー《Bits & Pieces Put Together to Present a Semblance of a Whole》ウォーカー・アート・センター — Wikimedia Commons / CC BY-SA 3.0 · © GearedBull
ローレンス・ウェイナー《Bits & Pieces Put Together to Present a Semblance of a Whole》ウォーカー・アート・センター — Wikimedia Commons / CC BY-SA 3.0 · CC BY-SA 3.0 · © GearedBull

At a glance

Visual cues

  • Words and definitions
  • Instructions and rules
  • Documentary photographs
  • Dematerialization

Best used for

  • Exhibitions or research presentations that show procedure and definition instead of a finished object
  • Participatory projects where published rules let other people carry out the work

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Detailed guidance and sourcesProduction rules, reference works, comparisons, research and citation formats

Dictionary entry

Type
Plain office grade type presenting the definition exactly as written
Composition
Set work beside statement and order everything by the record, not by drama
Material
Cheap carriers such as photostats, typescript, index cards and wall writing
Caution
Styling the surface to look administrative without a rule or question anyone can test leaves only curt graphic design. Change what counts as the work, including structure, site and the relation to the audience.
Further study
Joseph Kosuth / Sol LeWitt / Hanne Darboven / Lawrence Weiner

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https://indexstyle.org/styles/conceptual-art
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