{"id":"arte-povera","no":120,"name":"Arte Povera","ja":"アルテ・ポーヴェラ","era":"1967–1970s","family":"イタリア前衛芸術","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Arte Povera","url":"https://www.moma.org/collection/terms/arte-povera"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/arte-povera","credit":"MoMA — Arte Povera","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/KMM%20Merz%2001.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:KMM%20Merz%2001.JPG","credit":"マリオ・メルツのイグルー — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Jannis%20Kounellis%20at%20EMST.jpeg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Jannis%20Kounellis%20at%20EMST.jpeg","credit":"ヤニス・クネリスの展示（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Venereedeglistraccilollina.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Venereedeglistraccilollina.jpg","credit":"ミケランジェロ・ピストレット《ぼろ布のヴィーナス》ナポリ — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"土、枝、布、石、火、金属など非貴重で変化する素材を用い、美術の商品化と工業社会の価値体系へ介入する。","cues":["非貴重素材","変化と崩壊","自然と工業の衝突","簡素な組立"],"intents":["反骨","静けさ","親密"],"works":["素材が時間とともに変わることを、展示の前提として組み込む仕事","工業製品と自然物を同じ場に置き、その落差そのものを主題にする空間"],"recipe":{"type":"題名は素材名の列挙にとどめ、比喩や物語を足さない","layout":"床へ直に置き、台座や当て照明で作品を格上げしない","material":"土、蝋、布、金属、生きた植物を、加工せず最小限で留める"},"avoid":"古びた素材の雰囲気へ還元せず、素材の価値、時間、労働、制度への批評を捉える。展示条件を整えすぎれば、変化しない標本になる。","colors":["#d8d0bd","#83755f","#312e28"],"motif":"material","pair":["conceptual-art","earthwork"],"study":["Germano Celant","Mario Merz","Marisa Merz","Jannis Kounellis"],"en":{"essence":"Takes up earth, branches, cloth, stone, fire and metal, materials that are neither precious nor stable, and uses them to intervene in the commodification of art and the values of industrial society.","cues":["Non-precious materials","Change and decay","Nature against industry","Bare assembly"],"works":["Installations where the material changing over time is written into the plan.","Spaces that put an industrial product beside a natural one and make the gap the subject."],"recipe":{"type":"Let the title be a list of the materials, with no metaphor added.","layout":"Set the work on the floor and refuse the plinth and the spotlight.","material":"Earth, wax, cloth, metal and living plants, worked as little as possible."},"avoid":"Do not reduce this to the mood of aged materials, and keep its critique of value, time, labor and institution. Over conditioning the display turns the work into an unchanging specimen.","study":["Germano Celant","Mario Merz","Marisa Merz","Jannis Kounellis"]},"links":{"page":"https://indexstyle.org/styles/arte-povera","json":"https://indexstyle.org/api/styles/arte-povera","designSpec":"https://indexstyle.org/styles/arte-povera/design.md","imagePrompt":"https://indexstyle.org/styles/arte-povera/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}