Aeropittura

アエロピットゥーラ / 1929–1939 / Style / Italian Avant-garde

The late development of Italian Futurism, which declared the view from an aircraft to be the condition of painting. Plunging perspective, whirling cloud and an earth that turns over fix the sensation of speed and altitude on the canvas. A rare case of a style made out of the height of the viewpoint.

Aeropittura — Aeropittura work by Tato — Wikimedia Commons / Public domain
Aeropittura work by Tato — Wikimedia Commons / Public domain
Aeropittura — Aeropittura by Fillia, 1932 — Wikimedia Commons / CC BY-SA 4.0 · © Francesco Bini
Aeropittura by Fillia, 1932 — Wikimedia Commons / CC BY-SA 4.0 · CC BY-SA 4.0 · © Francesco Bini
Aeropittura — Tullio Crali, Before the Parachute Opens — Wikimedia Commons / Public domain
Tullio Crali, Before the Parachute Opens — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Plunging perspective
  • Whirling cloud and atmosphere
  • Ground inverted and rotating
  • Colour suggesting metallic sheen

Best used for

  • Aviation, aerospace and mobility work where the brief is the sensation of flight rather than the machine that produces it
  • Title sequences and transitions built on a diving, rolling camera, for which this painting is effectively a storyboard

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Dictionary entry

Type
Letters shrunk along the perspective and tilted together with the ground
Composition
Set the horizon tilted or overturned and run the vortex through the centre
Material
Cool colours keyed to a metallic sheen, with streaks of cloud white through them
Caution
Simply photographing a landscape from above: the style is not the aerial view but the body's disorientation within it, which requires the horizon to be taken away.
Further study
The manifesto of Aeropittura of 1929 / The question of its distance from the regime / Its relation to aerial photography

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