Aeropittura
アエロピットゥーラ / 1929–1939 / Style / Italian Avant-garde
The late development of Italian Futurism, which declared the view from an aircraft to be the condition of painting. Plunging perspective, whirling cloud and an earth that turns over fix the sensation of speed and altitude on the canvas. A rare case of a style made out of the height of the viewpoint.



At a glance
Visual cues
- Plunging perspective
- Whirling cloud and atmosphere
- Ground inverted and rotating
- Colour suggesting metallic sheen
Best used for
- Aviation, aerospace and mobility work where the brief is the sensation of flight rather than the machine that produces it
- Title sequences and transitions built on a diving, rolling camera, for which this painting is effectively a storyboard
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Dictionary entry
- Type
- Letters shrunk along the perspective and tilted together with the ground
- Composition
- Set the horizon tilted or overturned and run the vortex through the centre
- Material
- Cool colours keyed to a metallic sheen, with streaks of cloud white through them
- Caution
- Simply photographing a landscape from above: the style is not the aerial view but the body's disorientation within it, which requires the horizon to be taken away.
- Further study
- The manifesto of Aeropittura of 1929 / The question of its distance from the regime / Its relation to aerial photography
Related entries
- Italian Futurism (イタリア未来派)Shared effects: Exhilaration / Futurity.Compare Aeropittura and Italian Futurism
- Rayonism (レイヨニスム)Shared effects: Technique / Exhilaration.Compare Aeropittura and Rayonism
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- https://indexstyle.org/styles/aeropittura
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