ZERO

ZERO / 1957–1966 / 양식 / 전후 추상회화

An international postwar network that restarted from a 'zero point,' replacing gestural painting with monochrome repetition, light, fire, air, and movement so physical phenomena and the viewer's motion become the work.

Repeated surfaces in white, silver, or black / Metal, mirrors, and relief changing under light / Real-time change through motors, air, or flame / Uniform repetitions of points, holes, discs, or grids

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사전 항목

적합한 용도
Designing exhibitions that change as light and the viewer move · Making repeated components and physical phenomena primary instead of the artist's brushmark
타이포그래피
Use small widely spaced geometric sans-serif away from moving surfaces.
구성
Repeat one component regularly and leave enough oblique circulation for reflected light to change.
재료
Combine white relief, polished metal, mirrors, point light, and slow motors with heat and wiring safely isolated.
주의
Do not collapse ZERO into white Minimalism; light, motion, phenomena, and its international network are central.
더 읽을거리
Heinz Mack, Otto Piene and Günther Uecker / ZERO magazine and international networks / light, fire, movement and postwar renewal

관련 항목

전후 추상회화 더 보기

전후 추상회화에서 공통 인상이 많은 항목을 우선해 골랐습니다.

전후 추상회화 전체 보기

이 항목을 인용하기

사전은 링크되기 위해 있다. 글을 쓰는 자리에 맞는 형식을 그대로 가져가면 된다.

Link
https://indexstyle.org/ko/styles/zero-group
Markdown
[ZERO — IndexStyle](https://indexstyle.org/ko/styles/zero-group)
HTML
<a href="https://indexstyle.org/ko/styles/zero-group">ZERO — IndexStyle</a>

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