{"id":"zero-group","no":698,"name":"ZERO","ja":"ZERO","era":"1957–1966","family":"戦後抽象絵画","kind":"スタイル","essence":"戦後の身振り的絵画を“ゼロ地点”からやり直し、単色、反復、光、火、風、運動で作品を環境へ開いた国際的ネットワーク。作家の筆跡より、素材に起きる物理現象と観客の移動を構成する。","cues":["白、銀、黒など限定色の反復面","光を受けて変わる金属、鏡、レリーフ","モーター、風、炎による実時間の変化","点、穴、円盤、格子を均等に反復する"],"intents":["未来","技術","静けさ"],"pair":["kinetic-art","spatialism"],"study":["Heinz Mack, Otto Piene and Günther Uecker","ZERO magazine and international networks","light, fire, movement and postwar renewal"],"works":["光と観客の移動で表情が変わる展示空間を設計するとき","作家の筆致を抑え、反復する部品と物理現象を主役にするとき"],"recipe":{"type":"幾何学サンセリフを小さく離して置き、動く面の上へ重ねない。","layout":"同一部品を規則的に反復し、斜めから歩く観客が光の変化を読める間隔を取る。","material":"白いレリーフ、研磨金属、鏡、点光源、低速モーターを使い、配線と熱を安全に隔離する。"},"avoid":"白いミニマル作品と同一視しない。ZEROでは光、運動、現象、国際ネットワークが形式の核になる。","colors":["#F0F0EC","#A7ADB0","#151719"],"motif":"light","collection":"Dictionary expansion 40","addedAt":"2026-08-23","source":{"title":"Guggenheim — ZERO: Countdown to Tomorrow, 1950s–60s","url":"https://www.guggenheim.org/exhibition/zero-countdown-to-tomorrow-1950s60s-2"},"reference":{"status":"verified","pageUrl":"https://www.guggenheim.org/exhibition/zero-countdown-to-tomorrow-1950s60s-2","credit":"Guggenheim — ZERO: Countdown to Tomorrow, 1950s–60s"},"en":{"essence":"An international postwar network that restarted from a 'zero point,' replacing gestural painting with monochrome repetition, light, fire, air, and movement so physical phenomena and the viewer's motion become the work.","cues":["Repeated surfaces in white, silver, or black","Metal, mirrors, and relief changing under light","Real-time change through motors, air, or flame","Uniform repetitions of points, holes, discs, or grids"],"works":["Designing exhibitions that change as light and the viewer move","Making repeated components and physical phenomena primary instead of the artist's brushmark"],"recipe":{"type":"Use small widely spaced geometric sans-serif away from moving surfaces.","layout":"Repeat one component regularly and leave enough oblique circulation for reflected light to change.","material":"Combine white relief, polished metal, mirrors, point light, and slow motors with heat and wiring safely isolated."},"avoid":"Do not collapse ZERO into white Minimalism; light, motion, phenomena, and its international network are central.","study":["Heinz Mack, Otto Piene and Günther Uecker","ZERO magazine and international networks","light, fire, movement and postwar renewal"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}